﻿N3X
Owner's Manual

About this manual (two types of files):
- A text file named "00_Model Name.txt":
This file is the text of the entire manual.
- Other text files, which have been named "Number_Chapter Name.txt" (e.g., "01_Introduction.txt", "02_Contents.txt" etc.):
The manuals are divided into separate files for every chapter.


IMPORTANT -- Check your power supply --
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selectormay be provided on the bottom of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.
Before using this instrument, be sure to read "PRECAUTIONS" on pages 5 to 6.
When assembling the unit, consult a qualified AvantGrand dealer. (Refer to the assembly instructions at the end of this manual.)


NOTICE
To avoid the possibility of malfunction/damage to the product, damage to data, or damage to other property, follow the notices below.

Handling
Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. When you use the instrument along with an application on your iPad, iPhone or iPod touch, we recommend that you set "Airplane Mode" to "ON" on that device in order to avoid noise caused by communication.
Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5 degrees to 40 degrees C, or 41 degrees to 104 degrees F.)
Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
Bumping the surface of the instrument with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.

Maintenance
When cleaning the instrument, use a soft and dry/slightly damp cloth. Do not use paint thinners, solvents, alcohol, cleaning fluids, or chemical-impregnated wiping cloths.
Gently remove dust and dirt with a soft cloth. Do not wipe too hard since small particles of dirt can scratch the instrument's finish.
During extreme changes in temperature or humidity, condensation may occur and water may collect on the surface of the instrument. If water is left, the wooden parts may absorb the water and be damaged. Make sure to wipe any water off immediately with a soft cloth.

Saving data
Some of the data of this instrument (page 40) are retained when the power is turned off. However, the saved data may be lost due to some failure, an operation mistake, etc.
The Song data saved to the internal memory of this instrument (page 34) are retained when the power is turned off. However, the saved data may be lost due to some failure, an operation mistake, etc. Save your important data onto USB flash drive/an external device such as a computer (pages 38, 43). Before using a USB flash drive, make sure to refer to page 36.
To protect against data loss through USB flash drive damage, we recommend that you save your important data onto spare USB flash drive or an external device such as a computer as backup data.


Information
About copyrights
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
This product incorporates and bundles contents in which Yamaha owns copyrights or with respect to which Yamaha has license to use others' copyrights. Due to copyright laws and other relevant laws, you are NOT allowed to distribute media in which these contents are saved or recorded and remain virtually the same or very similar to those in the product.
The contents described above include a computer program, Accompaniment Style data, MIDI data, WAVE data, voice recording data, a score, score data, etc.  
You are allowed to distribute medium in which your performance or music production using these contents is recorded, and the permission of Yamaha Corporation is not required in such cases. 

About functions/data bundled with the instrument
Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.

About this manual
The illustrations and displays as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
iPad, iPhone or iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries.
The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

Tuning
Unlike an acoustic piano, this instrument does not need to be tuned by an expert (although the pitch can be user-adjusted to match other instruments). This is because the pitch of digital instruments is always maintained perfectly. However, if you feel there is something abnormal concerning the keyboard touch, contact your Yamaha dealer.

Transporting / Placing
If you move to another location, transport the instrument horizontally. Do not lean it up against a wall or stand it up side down. Do not subject the instrument to excessive vibration or shock.

(Figure)
Do not hold here.
Hold here.
Do not hold the control panel.

CAUTION
When moving the instrument, always hold the bottom of the main unit.
Be sure not to hold the control panel located on the bottom left. Improper handling can result in damage to the instrument or personal injury.

To enhance the safety and to protect the floor, we recommend to put the instrument on caster cups (for a grand piano).



Features
Hybrid Piano
AVANT GRAND
N3X

Combining over a century's experience in crafting world-class pianos with the latest in advanced technologies, Yamaha proudly introduces an instrument that is closer than ever to an actual acoustic grand piano--equipped with every essential element pianists demand.

Authentic acoustic piano touch with special grand piano action and piano keyboard
An actual acoustic grand piano has an unmistakable rich expressive quality, thanks to its finely nuanced touch and exceptional response. The remarkable AvantGrand N3X is the culmination of our many decades of expertise in crafting grand pianos, and offers the discerning player a specially-developed grand piano action featuring a configuration identical to the action of a real grand. The wood construction of the keyboard mirrors that of a grand piano, and features the material "Ivorite" for the white keys, giving them a texture amazingly close to that of natural ivory. The result is a wonderfully expressive keyboard that provides an authentic touch and feel. In addition to a hammer sensor, this instrument employs a non-contact key sensor that has no effect on the movement of the keys, yet accurately recognizes the player's pressure on the keyboard, timing, and the other delicate nuances that affect musical expression. Moreover, the TRS (Tactile Response System; page 25) realistically reproduces the resonance of the instrument, or the physical vibration that you feel from the keys or the pedals when you play a real grand piano.

Unique acoustic-sampling technique and speaker system 
One of the most important factors in the resonance of an actual grand piano is the soundboard. Aiming to effectively recreate that resonance, we sampled the grand piano voices utilizing Spatial Acoustic Sampling, which samples at not only the left and right, but also center and rear positions. In addition, the installed speakers mimic the positions in the grand piano from which the original samples were taken, and each of the speakers is equipped with its own dedicated amplifier. This Spatial Acoustic Speaker System ensures optimum sound at the player's position, providing more natural expression in the delicate nuances of each note. Moreover, a Soundboard Resonator, installed where the music rest would be when laid flat, enhances the expressive response of the sound, providing a realistic response--especially in the high notes.

The sound of several famous grand pianos in a single instrument ->Page 20
The AvantGrand N3X puts the sounds of several different renowned grand pianos at your fingertips, including the CFX, Yamaha's flagship concert grand piano, a Bosendorfer* Imperial, an instrument esteemed by pianists throughout its long history, and more--each with its own distinctive appeal and sonic characteristics. Simply select the particular piano sound desired, according to the music you intend to play or your personal preferences. 
* Bosendorfer is a subsidiary company of Yamaha.

Natural sound distance sensation for headphone play ->Page 18
This instrument features a binaural sampling sound designed especially for use with headphones. Binaural sampling is a method which uses two microphones placed where the ears of a performer would be, and records that piano sound as it is. Listening to the sound created through this method with headphones gives the impression of being immersed in the sound, as if it was actually emanating from the piano.



Table of Contents

PRECAUTIONS	5

Setting Up
Getting started playing your new Avant Grand!

Panel Controls and Terminals	10
Playing the Keyboard	12
Opening/Closing the Fallboard	12
Using the Music Rest	12
Opening/Closing the Lid	13
Power Supply	14
Turning the Power On/Off	15
Adjusting the Master Volume	17
Using Headphones	18
Using the Pedals	19

Main Operations
This section explains how to make detailed settings for the instrument's various functions.

Basic Operations and More	20
Selecting a Voice	20
Listening to the Voice Demo Songs	21
Using the Metronome	22
Adjusting the Tempo	23
Changing the Touch Sensitivity	24
Adjusting the Strength of Vibration (TRS)	25
Playing the Realistic Resonance-enhanced VRM Voices	26
Enhancing the Sound with Reverb	27
Adjusting the Brightness of the Sound (Brilliance)	27
Transposing the Pitch in Semitones	28
Fine-tuning the Pitch	29
Setting the Scale Tuning	30
Playing Back Songs	31
Songs compatible with this instrument	31
Playing back Songs	32
Recording Your Performance	34
Using USB Flash Drives	36
About USB Flash Drives	36
Formatting USB Flash Drive	37
Copying User Songs in the Instrument to USB Flash Drive	38
Deleting a Song file	39
Managing files on a USB flash drive	39
Backup Data and Initializing	40
Backup Data in Internal Memory	40
Initializing the Backup Data	40
Connections	41
Connecting Audio Devices ([AUX IN] jack, AUX OUT [L/L+R] [R] jacks)	41
Connecting to a Mixer--OUTPUT [L] [R] jacks (Balanced)	42
Connecting to a Computer ([USB TO HOST] terminal)	43
Connecting to an iPhone/iPad (MIDI [IN] [OUT] connectors, [USB TO HOST] terminal)	43
Connecting External MIDI Devices (MIDI [IN] [OUT] connectors)	44

Appendix
This section includes a list of display messages, Quick Operation Guide and other information.

Message List	46
Troubleshooting	47
Preset Song List	48
Assembling the Unit	49
Specifications	52
Index	53

About Manuals
This instrument has the following documents and instructional materials.

Included Documents

Owner's Manual (this book)
This manual describes how to use this instrument. 

Online Materials (from Yamaha Downloads)

iPhone/iPad Connection Manual (only in English, French, German and Spanish)
Explains how to connect the instrument to smart devices, such as an iPhone, iPad, etc.

Computer-related Operations
Includes instructions on connecting this instrument to a computer, and operations related to transferring files and MIDI data.

MIDI Reference
Contains MIDI related information such as MIDI Data Format and the MIDI Implementation Chart.

MIDI Basics (only in English, French, German and Spanish)
Contains basic explanations about MIDI.

To obtain these manuals, access the Yamaha Downloads, enter the model name for searching the desired files.

Yamaha Downloads   https://download.yamaha.com/


Included Accessories
Owner's Manual (this book) 
Online Member Product Registration
The "PRODUCT ID" on the sheet will be needed when you fill out the User Registration form.
Warranty*
Felt key cover
Power cord
Bench*
* May not be included depending on your area. Check with your Yamaha dealer.




Panel Controls and Terminals

Overview
The jacks and terminals on the underside of the instrument as shown here may seem to be in reverse from your perspective in front of the instrument. Make sure when using these to carefully check the names as printed on the panel before making connections.

(Figure)
Jacks and Terminals (See below.)
Underneath the instrument
Toward rear leg

Underneath the instrument
[AC IN] connector (page 14)
 
Jacks and Terminals (See below.)
Underneath the instrument
Power switch (page 15)
Right (toward higher keys)
Left (toward lower keys)

Control panel(page 11)

Lid (page 13)
Stay (page 13)
Soundboard 
Music rest (page 12)
Fallboard (page 12)
Pedals (page 19)

NOTE
Do not place any objects on the soundboard (area shaded in gray in the illustration above). Doing so may adversely affect the sound.

Jacks and Terminals

(Figure)

1	[PHONES] jacks	page 18
2	[AUX IN] jack	page 41
3	[USB TO DEVICE] terminal	page 36
4	[USB TO HOST] terminal	page 43
5	MIDI [IN] [OUT] connectors	pages 43, 44
6	AUX OUT [L/L+R] [R] jacks	page 42
7	OUTPUT [L] [R] jacks	page 42

Control Panel

(Figure)

8	[MASTER VOLUME] control	page 17
9	Display	See below.
10	[RECORD] button	page 35
11	[PLAY/STOP] button	pages 32, 35
12	[plus]/[minus] button
13	[DEMO/SONG] button	pages 21, 32, 34
14	[PIANO/VOICE] button	page 20
15	[TRS] button	page 25
16	[REVERB] button	page 27
17	[METRONOME] button	pages 22, 23
18	[FUNCTION] button	pages 16, 27, 28, 29

(Figure)
The control panel is located at the bottom left of the instrument. Slide the panel out to use it.

NOTICE
Do not pull on the [MASTER VOLUME] control to slide out the control panel.

Display
Indicates various values such as Song number and Parameter value. Note that the display turns dark and cannot be seen after the value is set. 

(Figure)
Song number
Parameter value

This display also indicates various three-character messages. For details, refer to page 46.



Playing the Keyboard


Opening/Closing the Fallboard
To open the fallboard, hold the hand grip with both hands, then lift the fallboard slightly, and push it up and back. To close the fallboard, lower the fallboard back in place gently with both hands.

(Figure)
CAUTION
Be careful to avoid catching your fingers when opening/closing the fallboard.

The fallboard is equipped with the special SOFT-CLOSE TM mechanism which closes the cover slowly. 

CAUTION
Hold the fallboard with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children's) between the fallboard and the unit.
Do not apply excessive force when closing the fallboard. Applying excessive force to the fallboard when closing it could damage the SOFT-CLOSE TM mechanism, and possibly result in injury to your hands and fingers caught under the closing fallboard.
Do not place anything (such as metal objects or pieces of paper) on top of the fallboard. Small objects placed on the fallboard may fall inside the unit when the fallboard is opened and may be nearly impossible to remove. Once inside, they could cause electric shock, short circuit, fire or other serious damage to the instrument.


Using the Music Rest

CAUTION
When raising or lowering the music rest, do not release your hands from the music rest until it is all the way up or down.

To raise the music rest
1	Gently open the front portion of the lid.

(Figure)

2	Pull the music rest up and toward yourself until it remains at the desired angle. The music rest is latched at angles of 35 degrees and 70 degrees.

(Figure)

3	Open the music brace.

(Figure)

CAUTION
Do not apply excessive force to the music brace. Doing so could release the stopper of the music rest and the music rest could be lowered suddenly, possibly resulting in injury to your hands and fingers caught under the music rest.

To lower the music rest
1	Close the music brace.

(Figure)

2	Pull the music rest toward yourself as far as it will go. When the music rest is at a 35 degree angle, raise it to a 70 degree angle, then pull it toward yourself.

(Figure)

3	Gently lower the music rest backward until it is all the way down.

4	Gently close the front portion of the lid.

(Figure)


Opening/Closing the Lid

WARNING
Do not let children open or close the lid. Also, be careful to avoid catching fingers (yours or others, and especially those of children) when raising or lowering the lid.

To open the lid
1	Gently open the front portion of the lid.

(Figure)

2	Hold the right side of the lid and raise it.

3	Raise the lid stay and carefully lower the lid so that the end of the stay fits into the recess in the lid.

WARNING
Make sure that the end of the stay fits securely in the lid recess. If the stay is not properly seated in the recess, the lid may fall, causing damage or injury.
When the lid is open, do not place your head or other parts of your body under it. Otherwise, severe injury could result if the lid should fall.
Be careful that you or others do not bump the stay while the lid is raised. Also, make sure to close the lid when moving the instrument. If bumped, the stay may be dislodged out of the lid recess causing the lid to fall.

(Figure)
Do not hold here.
Hold here.
Lid stay

To close the lid
1	Hold the lid stay and carefully raise the lid.

2	Hold the lid in its raised position and lower the lid stay.

3	Carefully lower the lid.
When using the music rest, lower the music rest (page 13) before going on to the next step.

(Figure)
Do not hold here.
Hold here.
Lid stay

4	Gently close the front portion of the lid.

(Figure)


Power Supply
1	Make sure the power switch on the instrument is set to the off position.

(Figure)
Power switch: off

2	Connecting the power cord
2-1	Set the voltage selector and insert the power cord plug to the [AC IN] connector. Refer to the "Panel Controls and Terminals" on page 10 for information on the location of the [AC IN] connector.

(Figure)
[AC IN] connector
Voltage Selector

Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a "minus" screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC IN and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.

WARNING
Make sure your instrument is rated for the AC voltage supplied in the area in which it is to be used. (The voltage rating appears on the name plate on the bottom panel). Connecting the unit to an inappropriate AC supply can seriously damage the internal circuitry and may even pose a shock hazard!

2-2	Insert the plug on the other end of the power cord to a standard AC outlet.

(Figure)
(The shape of the plug differs depending on the locale.)

WARNING
Use only the AC power cord supplied with the instrument. If the supplied power cord is lost or damaged and needs to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard!

WARNING
The type of AC power cord provided with the instrument may be different depending on the country in which the instrument was purchased. (In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.) Do NOT modify the plug provided with the instrument. If the plug will not fit the outlet, have a proper outlet installed by a qualified electrician.

CAUTION
When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet.

NOTE
When disconnecting the power cord, first turn off the power, then follow this procedure in reverse order.


Turning the Power On/Off
1	Grip the control panel located at the bottom left of the instrument and slide it out towards you.

(Figure)

NOTICE
Do not pull on the [MASTER VOLUME] control to slide out the control panel.

2	Turn down the [MASTER VOLUME] control to "MIN."

(Figure)

3	Turn on the switch located on the bottom left of the keyboard to turn the power on.
The [POWER] indicator located below the left end of the keyboard lights up. The display indicators flash in a pattern, indicating the instrument is currently starting up, and stop flashing when startup is completed.

NOTICE
Do not press any keys until the instrument has completely started up (approx. ten seconds after turning on the switch). Doing so may cause some keys to not sound normally.

(Figure)
Power switch
Off
On
Lights up

4	Playing the keyboard.
While playing the keyboard, adjust the volume level by using the [MASTER VOLUME] control located at the left of the panel.

(Figure)
Decreases the level.
Increases the level.

5	Turn the switch off to turn the power off.
The [POWER] indicator turns off. Slide the control panel back into the bottom of the keyboard after use.

CAUTION
Even after the power switch is turned off, electricity is still flowing to the instrument at the minimum level. Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.

NOTICE
Press only the power switch when turning the power on. Any other operations, such as pressing the keys, buttons or pedals may cause the instrument to malfunction.

Auto Power Off function
To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for approximately 15 minutes.

Disabling Auto Power Off (simple method)
Turn the power on while holding down the lowest key on the keyboard.

(Figure)
Lowest key (A-1)

The indication "PoF" appears on the display briefly and Auto Power Off is disabled.
(Figure)

Disabling or enabling the Auto Power Off setting
While the power is on, simultaneously hold down the [FUNCTION] button and press the A5 key. Pressing the A5 key repeatedly in this condition toggles between "OFF" (disabled) and "On" (enabled), and the setting appears on the display. 

(Figure)
Highest key (C7)

NOTE
To turn the power on again after Auto Power Off has been enabled, turn the power switch to the off position once, and then back to the ON position.


Adjusting the Master Volume
To adjust the volume level by using the [MASTER VOLUME] control located at the left of the panel while playing the keyboard.

(Figure)
Decreases the level.
Increases the level.

CAUTION
Do not use this instrument at a high volume level for a long period of time, or your hearing may be damaged.

Intelligent Acoustic Control (IAC)
This function automatically adjusts and controls the sound quality according to the overall volume of the instrument. Even when the volume is low, it permits both low sounds and high sounds to be clearly heard. Note that the IAC is effective only from the sound output of the instrument speakers.

To turn on/off the IAC: 
While holding down [FUNCTION], press the C0 key repeatedly (as necessary).
Default setting: On

To adjust the IAC Depth: 
While holding down [FUNCTION], press one of the keys between A0 to D sharp 1.

(Figure)
Lowest key (A-1)

Setting range: minus 3 (A0) to 0 (C1) to 3 (D sharp 1)
Default setting: 0 (C1)

The higher the value, the more clearly that low and high sounds are heard at lower volume levels.


Using Headphones
Since this instrument is equipped with two [PHONES] jacks, you can connect two sets of standard stereo headphones. If you are using only one set of headphones, insert a plug into either jack; this automatically shuts off the speakers. 

(Figure)
Standard stereo phone plug

CAUTION
Avoid listening to the instrument at a high volume level through headphones for a long period of time, to prevent hearing damage.

NOTE
The TRS is turned off when headphones are connected. Press the [TRS] button to turn it on (page 25).

NOTE
When the TRS (page 25) is on, sound can be heard to some degree even when the headphones are connected.

Reproducing the Natural Sound Distance Sensation (when using Headphones)--Binaural Sampling and Stereophonic Optimizer
This instrument features two advanced technologies that allow you to enjoy exceptionally realistic, natural sound, even though listening on headphones.

Binaural Sampling ("CFX Grand" Voice only)
Binaural sampling is a method that uses two special microphones set at the ear position of a performer and records the sound from a piano as it is. Listening to the sound with this effect through headphones gives the impression of being immersed in the sound, as if it was actually emanating from the piano. Moreover, you can enjoy the sound naturally for a long time without ear strain. When the default voice, "CFX Grand" (page 20) is selected, connecting the headphones automatically enables the binaural sampling sound.

Stereophonic Optimizer (Voices other than "CFX Grand")
The Stereophonic Optimizer is an effect which reproduces natural sound distance like the sound of binaural sampling even though you hear it on headphones. When the voice except "CFX Grand" (page 20) is selected, connecting the headphones makes this Stereophonic Optimizer effective.

Turning the Binaural Sampling and Stereophonic Optimizer function on/off
When headphones are connected, the sound from this instrument changed to the sound of Binaural Sampling or the sound enhanced with the Stereophonic Optimizer. Since these sounds are optimized for listening with headphones, we recommend that you set this function to "OFF" (as described below).

You should turn these functions off when
Playing the sound of this instrument with an external powered speaker system or a mixer, while monitoring the sound output from this instrument on connected headphones.
Making an audio recording (page 34) and then playing that recorded audio Song through speakers.
(Make sure to turn off these functions before audio recording.)

NOTE
Before connecting an external powered speaker system or a mixer, be sure to read "Using an External Stereo System for Playback--AUX OUT [L/L+R] [R] jacks (unbalanced)" (page 42) or "Connecting to a Mixer--OUTPUT [L] [R] jacks (Balanced)" (page 42).

While holding down [PIANO/VOICE] button, press the C6 key repeatedly (if necessary) to turn this function on/off. The specified value is shown on the display while both controls are held.

Default setting: On

(Figure)
Highest key (C7)


Using the Pedals
The instrument has three pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano.

(Figure)

Damper Pedal (Right)
Pressing this pedal will sustain notes longer. Releasing this pedal immediately stops (damps) any sustained notes. The damper pedal features a half-pedal function.

(Figure)
If you press and hold the damper pedal here, all the notes shown will be sustained.

Half-pedal function
This function allows the sustain length to vary depending on how far the pedal is pressed. The farther you press the pedal, the more the sound sustains. For example, if you press the damper pedal and all notes you are playing sound a bit murky and loud with too much sustain, you can release the pedal half way to subdue the sustain (murkiness).

Sostenuto Pedal (Center)
Pressing this pedal while holding the notes will sustain the pressed notes (as if the damper pedal had been pressed), but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while the other notes are played "staccato."

(Figure)
If you press and hold the sostenuto pedal here, only the notes held at this timing will be sustained.

Soft Pedal (Left)
Pressing this pedal will reduce the volume and slightly change the timbre of the notes. The notes played before this pedal is pressed are not affected. 



Basic Operations and More


Selecting a Voice

(Figure)

To select the CFX Grand Voice:
Simply press [PIANO/VOICE].

To select a different Voice: 
While holding down [PIANO/VOICE], press [pius] or [minus].

NOTE
To understand the characteristics of various voices, listen to demo songs for each voice (page 21).

Voice List

(Table)
Display	Voice name	 Descriptions	VRM*
1	CFX Grand	Four-channel Voice featuring multi sampling of Yamaha's CFX flagship concert grand piano sound, with wide dynamic range for maximum expressive control. It is suitable for playing in any music genre and style. When headphones are connected, this Voice is automatically changed to "Binaural CFX Grand" (below).	O
	Binaural CFX Grand	Yamaha's CFX flagship concert grand piano sound sampled by Binaural Sampling, the method optimized for headphone use. Listening this through headphones gives the impression of being immersed in the sound, as if it was actually emanating from the piano. This Voice is selected automatically when headphones are connected. Refer to page 18 for details. (This Voice cannot be selected following the procedure of "Selecting a Voice" instructions above.) 	O
2	Bosendorfer Imperial	The sound of the famed Vienna-made Bosendorfer flagship grand piano, utilizing four-channel sampling. This Voice has a rich and captivating sound, ideal for expressing the most delicate and tender musical passages.	O
3	Bright Grand	Bright piano sound. Good for clear expression and "cutting through" other instruments in an ensemble.	O
4	Bosendorfer Grand	The Bosendorfer grand piano sound with a lively attack and brilliant presence.	O
5	Pop Grand	A bright, richly metallic sound ideal for pop music styles and for playing in ensembles.	O
6	Stage E.Piano 	The sound of an electric piano using hammerstruck metallic "tines." Soft tone when played lightly, and an aggressive tone when played hard.	-
7	DX E.Piano	An electronic piano sound produced by an FM synthesizer. The tone will change as you vary your playing touch. Ideal for popular music.	-
8	Vintage E.Piano	A different type of electric piano sound than Stage E.piano. Widely used in rock and popular music.	-
9	Harpsichord 8'	The sound of the instrument frequently used in baroque music. Variations in playing touch will not affect the volume, and a characteristic sound will be heard when you release the key.	-
10	Harpsichord 8'+4'	A harpsichord with an added upper octave. Produces a more brilliant sound. Variations in playing touch will not affect the volume.	-
(Table End)

*VRM:	Simulated string resonance sound with physical modeling when the damper pedal is pressed or keys are pressed. Refer to page 26 for details. 


Listening to the Voice Demo Songs
Demo Songs effectively demonstrate each of this instrument's Voices. 

(Figure)

1	Select the Voice for the Demo Song that you want to listen to.

2	Press [DEMO/SONG].
The Demo Song for the Voice selected in Step 1 starts. 

To change the Demo Song during playback: 
Press [pius] or [minus].

To adjust the playback tempo 
While holding down [METRONOME], press [pius] or [minus]. 

NOTE
You can play the keyboard along with the demo song.

NOTE
No MIDI data will be output during Voice Demo playback.

3	Press [DEMO/SONG] again to stop playback.

Demo Song List

(Table)
Display	Voice Name	Song Name	Composer
d.01	CFX Grand	Prelude, Suite bergamasque	C.A.Debussy
	Binaural CFX Grand		
d.02	Bosendorfer Imperial	Consolation No.3	F.Liszt
d.03	Bright Grand	Italienisches Konzert, BWV.971-1 1st mov.	J.S.Bach
d.04	Bosendorfer Grand	-	-
d.05	Pop Grand	-	-
d.06	Stage E.Piano 	-	-
d.07	DX E.Piano	-	-
d.08	Vintage E.Piano 	-	-
d.09	Harpsichord 8'	Concerto a cembalo obbligato, 2 violini, viola e continuo No.7, BWV.1058	J.S.Bach
d.10	Harpsichord 8'+4'	Gigue, Franzosische Suiten No.5, BWV.816	J.S.Bach
(Table End)

The Songs d.04, d.05, d.06, d.07 and d.08 are Yamaha's original pieces (c2016 Yamaha Corporation).


Using the Metronome
The metronome feature is convenient for practicing with an accurate tempo.

(Figure)

1	Press [METRONOME] to start the metronome.
While the metronome sounds, a dot at the right side of the LED display and the lamp of the metronome button flash on and off to the tempo.

(Figure)
The beat lamp flashes at the current tempo

2	Press [METRONOME] again to stop the metronome.

Selecting the Beat
While holding down [METRONOME], press one of the C3 to F3 keys. The selected value is shown on the display while both controls are held.

(Figure)
Beat
Highest key (C7)

(Table)
Display	Key	Beat
0	C3	0 (no 1st beat accent)
2	C sharp 3	2
3	D3	3
4	D sharp 3	4
5	E3	5
6	F3	6
(Table End)

Only the first beat is accented with a bell sound when set to a value other than 0.

Default setting: 0 (No 1st beat accent)

NOTE
The Beat of the metronome is restored to the default setting when the power is turned off.

Adjusting the Metronome volume
While holding down [METRONOME], press one of the C1 to G2 keys to set the volume. The specified value is shown on the display while both controls are held.

(Figure)
Lowest key (A-1)
min.
max.
The volume level increases as you press higher keys.

Setting range: 1 to 20
Default setting: 15

NOTE
The metronome volume setting is retained even when the power is turned off.


Adjusting the Tempo
The playback tempo of Metronome can be adjusted. You can also adjust the playback tempo of MIDI Song (page 31) as well as the playback speed of an Audio Song (page 31) as they are playing.

To increase or decrease the value by 1
While holding down [METRONOME], press [plus] (or the C sharp 5 key) to increase or [minus] (or the B4 key) to decrease. While only the Metronome is playing, simply press [plus] or [minus] to change the tempo of the Metronome.

To increase or decrease the value by 10
While holding down [METRONOME], press the D5 key to increase or the A sharp 4 key to decrease.

To reset the value to the default
While holding down [METRONOME], press the C5 key or press [plus] and [minus] simultaneously. While only the Metronome is playing, simply press both [plus] and [minus] simultaneously to reset the default tempo of the Metronome.

(Figure)
Highest key (C7)

NOTE
Adjusting the playback tempo of Metronome cannot be done during the playback of Audio Songs (page 31).

Metronome
Setting range: 5 to 500 beats per minute
Default setting: 120

MIDI Song
Setting range: 5 to 500 beats per minute
Normal setting: Depends on the selected song

Audio Song
Setting range: 75% to 125%
Normal setting: 100%

NOTE
The metronome tempo is restored to the default setting when the power is turned off.


Changing the Touch Sensitivity
You can specify the Touch Sensitivity (how the sound responds to the way you play the keys).

(Figure)

While holding down [PIANO/VOICE], press one of the A6 to C7 keys. The selected Touch Sensitivity is shown on the display while both controls are held.

(Figure)
Highest key (C7)

(Table)
Display	Key	Touch Sensitivity	Descriptions
OFF	A6	Fixed	The volume level does not change at all regardless of whether you play the keyboard soft or hard.
1	A sharp 6	Soft	The volume level does not change much when you play the keyboard soft or hard.
2	B6	Medium	This is the standard piano touch response.
3	C7	Hard	The volume level changes very widely from pianissimo to fortissimo to facilitate dynamic and dramatic expression. You have to hit the keys hard to produce a loud sound.
(Table End)

Default setting: 2 (Medium)

NOTE
The touch type is restored to the default setting when the power is turned off.

NOTE
This setting does not change the weight of the keyboard, but only the response.


Adjusting the Strength of Vibration (TRS)
This instrument features a special TRS (Tactile Response System) that enables you to feel the natural vibration or resonance of the instrument when you play the keyboard, just as on an actual acoustic piano. You can select the strength of vibration for your taste.

(Figure)

Turning the TRS function on or off
Press the [TRS] button to switch the TRS function on or off.

(Figure)
Lights up when TRS is on.

Setting range: 1 (weak) to 3 (strong)
Normal setting: 2

NOTE
The actual vibration strength you feel differs depending on the selected voice, even when the TRS value on the display is the same.

NOTE
To display the TRS value, press just the [TRS] button.

NOTE
The TRS function is turned off when headphones are connected. Press the [TRS] button to turn it on.
When headphones are connected, the vibration is weakened even if the setting value has not been changed.

Adjusting the strength of vibration
While holding down the [TRS] button, press the [plus] or [minus] button to adjust the strength of vibration. The current strength setting appears on the display while both controls are held.

(Figure)
Strength of vibration


Playing the Realistic Resonance-enhanced VRM Voices
On an actual acoustic piano, if you press the damper pedal and play a key, not only does the string of the pressed key vibrate, it also causes other strings and the soundboard to vibrate, with each influencing the rest, creating a rich and brilliant resonance that sustains and spreads. The VRM (Virtual Resonance Modeling) technology featured in the N3X reproduces the complicated interaction of both string and soundboard resonance faithfully using a virtual musical instrument (physical modeling), and makes the sound more like a real acoustic piano. Since instantaneous resonance is made at the moment according to the state of the keyboard or pedal, you can vary the sound expressively by changing the timing of your pressing the keys, and the timing and depth of your pressing the pedal.

The default setting of this function is on. Simply by selecting a VRM Voice (page 20), you can enjoy the VRM effect. You can turn the VRM function on or off, and adjust the depth.

Turning the VRM function on or off
While holding down [PIANO/VOICE], press the C0 key repeatedly (if necessary).

(Figure)
On/Off
Lowest key (A-1)
Damper Resonance Depth
String Resonance Depth

Adjusting the depth of the VRM effect
While holding down [PIANO/VOICE], press one of the keys in the ranges of G0 to F1 and G1 to F2. During the operation, the specified value is shown on the display.

(Table)
Display	Key	Value	Descriptions
0 to 10	G0 to F1	Damper Resonance Depth	Adjusts the depth of the VRM effect heard when pressing the damper pedal.
0 to 10	G1 to F2	String Resonance Depth	Adjusts the depth of the VRM effect heard when playing the keyboard.
(Table End)

Setting range: 0 to 10
Default setting: 5

Setting range: 0 to 10
Default setting: 5


Enhancing the Sound with Reverb
The Reverb effect simulates the natural reverberation of a concert hall.

(Figure)

Turning the Reverb on or off
Press [REVERB] repeatedly (as necessary).

(Figure)
Lights up when REVERB is on.

Adjusting the Reverb Depth
While holding down [REVERB], press [plus] or [minus]. The current value is shown on the display while both controls are held.

(Figure)

To restore the default value, press [plus] and [minus] simultaneously while holding [REVERB].

Setting range: 1 to 20
Default setting: 5

NOTE
The Reverb Depth is restored to the default setting when the power is turned off.

NOTE
Holding [REVERB] shows the Reverb Depth value on the display.


Adjusting the Brightness of the Sound (Brilliance)
To adjust the brightness of the sound, simultaneously hold down [FUNCTION] and press one of the A sharp 1 to D2 keys. During the operation, the specified value is shown on the display.

(Figure)
Lowest key (A-1)

(Table)
Display	Key	Brilliance	Descriptions
1	A sharp 1	Mellow 2	Soft and mellow tone. The sound becomes more mellow and rounder.
2	B1	Mellow 1	A mellow tone between Normal and Mellow 2.
3	C2	Normal	Standard tone.
4	C sharp 2	Bright 1	A bright tone between Normal and Bright 1.
5	D2	Bright 2 	Bright tone. The sound becomes brighter.
(Table End)

Default setting: 3 (Normal)


Transposing the Pitch in Semitones
You can shift the pitch of the entire keyboard up or down in semitones to facilitate playing in difficult key signatures and match the pitch of the keyboard to the range of a singer or other instruments. For example, if "plus 5" is selected, playing the key C produces a pitch of F, letting you play a song of F major as though it were in C major. The transposition setting affects not only the pitch of the keyboard but also the pitch of the MIDI Song (page 31) and Audio Song (page 31).

(Figure)

To transpose the pitch down:
While holding down [FUNCTION], press a key between F sharp 2 (minus 6) and B2 (minus 1).

To transpose the pitch up:
While holding down [FUNCTION], press a key between C sharp 3 (plus 1) and F sharp 3 (plus 6).

To restore the original pitch:
While holding down [FUNCTION], press the C3 key.

(Figure)
Lowest key (A-1)
Transpose down
Transpose up
Normal pitch

The specified value is shown on the display.

Default setting: 0 (Normal pitch)
Setting range: minus 6 to plus 6

NOTE
The Transpose value is restored to the default setting when the power is turned off


Fine-tuning the Pitch
You can fine-tune the pitch of the entire instrument. This function is useful when you play this instrument along with other instruments or recorded music.

(Figure)

During the operation described below, you can check the Pitch value shown on the display. (The hundreds place value has been omitted.)

(Figure)
Example: 442.0Hz

To tune up (in roughly 0.2Hz steps):
While holding down [FUNCTION], press [plus]. Holding down both buttons shows the current pitch setting (Hz).

To tune down (in roughly 0.2Hz steps):
While holding down [FUNCTION], press [minus]. Holding down both buttons shows the current pitch setting (Hz).

To restore standard pitch:
While holding down [FUNCTION], press [plus] and [minus] simultaneously. Holding down all three buttons shows the current pitch setting (Hz).

NOTE
The tuning value is retained even when the power is turned off.

Hz (Hertz):
This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second.

Setting range: 414.8 to 466.8Hz (=A3)
Default setting: 440.0Hz (=A3)


Setting the Scale Tuning
You can select various scales for the instrument. Equal Temperament is the most common contemporary piano tuning scale. However, history has known numerous other scales, many of which serve as the basis for certain genres of music. This feature lets you experience the tunings of these genres.

(Figure)

Selecting a Scale
While holding down [FUNCTION], press one of the C5 to F sharp 5 keys. Holding down both controls shows the current value on the display.

(Figure)
Highest key (C7)

(Table)
Display	Key	Scale	Description
1	C5	Equal	The pitch range of each octave is divided equally into twelve parts, with each half-step evenly spaced in pitch. This is the most commonly used tuning in music today.
2	C sharp 5	Pure Major	These tunings preserve the pure mathematical intervals of each scale, especially for triad chords (root, third, fifth). You can hear this best in actual vocal harmonies--such as choirs and a cappella singing.
3	D5	Pure Minor
4	D sharp 5	Pythagorean	This scale was devised by the famous Greek philosopher and is created from a series of perfect fifths, which are collapsed into a single octave. The 3rd in this tuning are slightly unstable, but the 4th and 5th are beautiful and suitable for some leads.
5	E5	Mean-Tone	This scale was created as an improvement on the Pythagorean scale, by making the major third interval more "in tune." It was especially popular from the 16th century to the 18th century. Handel, among others, used this scale.
6	F5	Werckmeister	This composite scale combines the Werckmeister and Kirnberger systems, which were themselves improvements on the mean-tone and Pythagorean scales. The main feature of this scale is that each key has its own unique character. The scale was used extensively during the time of Bach and Beethoven, and even now it is often used when performing period music on the harpsichord.
7	F sharp 5	Kirnberger
(Table End)

Default setting: 1 (Equal)

NOTE
The scale is restored to the default setting when the power is turned off.

Selecting the Base Note
For scales 2 and 3 in particular, you should specify the key you intend to play (Base Note). While holding down [FUNCTION], press one of the C4 to B4 keys. Holding down both controls shows the current value on the display.

(Figure)
Highest key (C7)

(Table)
Key	Base Note
C4	C
C sharp 4	C sharp
D4	D
D sharp 4	E flat
E4	E
F4	F
F sharp 4	F sharp
G4	G
G sharp 4	A flat
A4	A
A sharp 4	B flat
B4	B
(Table End)

(Figure)
Example
F sharp (Followed by a high bar if sharp)
G
A flat (Followed by a low bar if flat)

Default setting: C

NOTE
The base note is restored to the default setting when the power is turned off.



Playing Back Songs
This instrument can play back Songs contained in internal memory or USB memory connected to the [USB TO DEVICE] terminal. There are two kinds of Songs that can be played back: MIDI Songs and Audio Songs.

Song data formats that can be played

Songs
MIDI Songs
A MIDI Song contains data of your keyboard performance (such as which keys you played and how hard you played them), and is not a recording of the actual sound itself. The performance information refers to which keys are played, at what timing, and at what strength--just as in a musical score. Based on the recorded performance information, the tone generator (of the digital piano, etc.) outputs the corresponding sound. A MIDI Song uses a small amount of data capacity in comparison to audio recording.
Audio Songs
An Audio Song is a recording of the performed sound itself. This data is recorded in the same way as that used in recording cassette tapes, or with voice recorders, etc. This data can be played with a portable music player, etc., allowing you to easily let other people hear your performance.

Data formats
SMF (Standard MIDI File) Formats 0 and 1
One of the most common and widely compatible MIDI formats used for storing sequence data. MIDI Songs recorded in this instrument are saved as SMF Format 0.
WAV format (.wav)
Audio file format commonly used by computers. This instrument can play 44.1kHz/16bit stereo WAV files. Audio Songs recorded on this instrument are saved in this format.

Extension
.MID
.WAV

NOTE
When playing back MIDI Songs containing Voices that are incompatible with this instrument such as XG and GM Songs, the Voices may not sound as intended on the original. In addition, Song data of MIDI channels 3 to 16 cannot be played back, since this instrument can recognize only MIDI channels 1 and 2. This is why you should only play back Songs which have data of only MIDI channels 1 to 2, to which the piano performance is assigned.


Songs compatible with this instrument

Song Category List ([xx] indicates numerals.)

(Table)
Song Category		Song Number	Descriptions
d.xx	Voice Demo Song (MIDI Song)	d.01 to d.10	Each Song effectively demonstrates each of this instrument's Voices (page 21).
P.xx	Preset Song (MIDI Song)	P.01 to P.10	10 Piano Preset Songs in the instrument. Refer to the Preset Song List on page 48.
A.xx*	Audio Song in USB flash drive	A.00 to A.99	User Songs which have been recorded with this instrument (page 34)
		C.00 to C.99**	External Songs, commercially available or which have been recorded on a computer, etc.
S.xx*	MIDI Song in USB flash drive	S.00 to S.99	User Songs which have been recorded with this instrument (page 34)
		F.00 to F.99**	External Songs, commercially available or which have been recorded on a computer, etc.
U.xx	MIDI Song in this instrument	U.01 to U.10	User Songs which have been recorded to the instrument (page 34) 
		L.00 to L.99**	External Songs (commercially available or which have been recorded on a computer, etc.) transferred from a computer to this instrument. 
(Table End)

* Shown only when USB flash drive is connected.
** When data does not exist, the song number is not displayed.

User Songs and External Songs
Songs recorded by this instrument are called "User Songs" while Songs created in other ways or on other instruments are called "External Songs." In USB flash drive, Songs in the USER FILES folder are handled as User Songs while Songs in a location other than the USER FILES folder are handled as External Songs. When you record a Song to USB flash drive, a USER FILES folder is created automatically and the resulting User Song will be saved in this folder.


Playing back Songs

To play back a Song on a USB flash drive
Read "About USB Flash Drives" (page 36), then connect the USB flash drive to the [USB TO DEVICE] terminal, and follow the instructions below.

1	While holding down [DEMO/SONG], press [plus] or [minus] until the desired Song Category (page 31) appears on the display.
The Song Categories will appear on the display in the following order:
P.xx -> (A.xx) -> (S.xx) -> U.xx -> d.xx -> P.xx -> etc. If you wish to play back a "C.xx," "F.xx," or "L.xx" song, select the Song Category "A.xx," "S.xx," or "U.xx."

(Figure)

NOTE
"A.xx" and "S.xx" are shown only when USB flash drive is connected.

NOTE
Song indications such as "F.00" and "C.00" may not appear immediately depending on the amount of the folders in the USB flash drive.

NOTE
The metronome can be used during playback. It will automatically stop when playback is stopped.

2	Press [plus] or [minus] to select the desired Song number, or "*.rd"
(random) or "*.AL"(all).
To select "C.xx," "F.xx," or "L.xx," continue holding down [plus] until they appear, or press [minus] repeatedly. "C.xx" will appear after "A.99," "F.xx" will appear after "S.99," and "L.xx" will appear after "U.10" on the display. (When data does not exist, the song number is not displayed.)

When a specific Song number (such as P.01 and U.01) is selected:
Only the selected Song will be played back.

When "*.rd" or "*.AL" is selected:
*.rd	Plays back the Songs of this type continuously in random order.
*.AL	Plays back all the Songs of this type continuously in sequential order.
The asterisk (*) indicates "P," "A," "S," or "U" designations in the display.
For details, refer to page 31.

3	Press [PLAY/STOP] to start playback.
During playback, the current measure number (for MIDI Songs) or playing time (for Audio Songs) is shown on the display.

(Figure)
MIDI Song
Current measure number
Audio Song
Playing time
Indicates minutes. In case of 10 minutes or more, only the lowest digit is shown.
Indicates seconds.

NOTE
You can play the keyboard along with Song playback.

NOTE
The Voice of the MIDI song can be changed during playback. The Voice of the MIDI song played is automatically assigned to the Voice played from the keyboard.

Adjusting the tempo (MIDI Songs) or playback speed (Audio Songs)
You change the playback tempo of MIDI Song. You can also adjust the playback speed of an Audio Song during its playback.
While holding down [METRONOME], press [plus] or [minus] to increase or decrease the value. To reset the value to default, press [plus] and [minus] simultaneously while holding down [METRONOME]. For details, refer to page 23.

MIDI Song
Setting range: 5 to 500 beats per minute
Normal setting: Depends on the selected song

Audio Song
Setting range: 75% to 125%
Normal setting: 100%

Adjusting the volume (only for Audio Songs)
The volume level of this instrument may be markedly different from that of a commercially available Audio Song or one recorded on another device. To adjust the volume of the Audio Song, hold down [DEMO/SONG] and press one of the C1 to G2 keys.

(Figure)
min.
max. 
Lowest key (A-1)
The higher the key, the greater the volume.

Setting range: 1 to 20
Default setting: 16

NOTE
The playback of Audio Songs is output only from the right and left speakers, and not from the center and rear speakers.

Rewind/Fast forward
During playback, press [minus] or [plus] to move back or forth through the measures.
Pressing one of these buttons once moves one measure back/forward for MIDI Songs, or one second for Audio Songs.

NOTE
During playback of Demo Songs, Rewind/Fast Forward operations or returning to the Song top cannot be done.

Returning to the Song Top
During playback, press [minus] and [plus] simultaneously to jump to the top of the Song.

4	Press [PLAY/STOP] again to stop playback.
If a specific Song number is selected in Step 2, playback stops automatically by reaching the end of the Song.

Setting the Character Code
If the Song cannot be called up, you may need to select the appropriate Character Code from the following two settings.

International
For playing back Songs with names using western European characters (including umlaut or diacritic marks). To select this, turn on the power while holding down the A-1 and A sharp -1 keys.

(Figure)
Lowest key (A-1)

Japanese 
For playing back Songs with names using Japanese characters. To select this, turn on the power while holding down the A-1 and B-1 keys.

(Figure)
Lowest key (A-1)

Setting range: JA (Japanese) / Int (International)
Default setting: Int



Recording Your Performance
This instrument allows you to record your performance by using one of the following two methods. The recorded performance can be played back as a User Song.
 
MIDI recording
With this method, your keyboard performances are recorded and saved to the instrument or USB flash drive as a MIDI Song (via the SMF format 0). Up to 10 Songs can be recorded to the instrument, although more can be recorded to USB flash drive (see below).

Audio recording
With this method, your keyboard performances are recorded then saved to USB flash drive as an Audio Song in stereo WAV format of normal CD-quality resolution. The saved Audio Song can be transmitted to then played on portable music players. The recordable time differs depending on the capacity of the USB flash drive.

1	Connect a USB flash drive to the [USB TO DEVICE] terminal.

When is USB flash drive necessary?
MIDI Songs can be saved to internal memory of this instrument or to USB flash drive, while Audio Songs can only be saved to the USB flash drive.As necessary, prepare a USB flash drive referring to "About USB Flash Drives" (page 36).

NOTE
If you intend to play back your recording only on the instrument itself, we recommend using MIDI recording. Songs recorded with the MIDI recording method are output from the four speakers of the instrument, just as they are when you play/record. However, Songs recorded by Audio recording are output only from the left and right speakers, and do not use the center or rear speakers.

NOTE
If you make an audio recording while using headphones and then play that recorded audio Song through speakers, you should set "Binaural sampling/Stereophonic Optimizer" to "OFF." Refer to page 18 for details.

2	Select the Recording method.

To make a MIDI Recording:
While holding down [DEMO/SONG], press [plus] or [minus] until "U.**" (for saving data to the instrument) or "S.**" (for saving data to the USB flash drive) is shown on the display.

To make an Audio Recording: 
While holding down [DEMO/SONG], press [plus] or [minus] until "A.**" (for saving data to the USB flash drive) is shown on the display.

(Figure)

NOTE
Record mode cannot be called up in the following situations.
During Song playback (page 31)
During file management operations such as Copy (page 38), Delete (page 39) and Format(page 37)

When skipping Steps 1 to 4 with an unrecordable Song selected
Pressing [RECORD] selects the lowest numbered Song (of those containing no data) as the Recording target.
If "C.**" is selected, pressing [RECORD] selects "A.**" (Audio Song in the USB flash drive).
If "F.**," "L.**," "P.**," or "d.**" is selected, pressing [RECORD] selects "U.**" (MIDI Song in internal memory). If there is no empty User Song, "U.0.1." will be as the Recording target.

3	Press [plus] or [minus] to select a Song number.
U.01 to U.10 	User Song in this instrument (MIDI Song)
S.00 to S.99 	User Song in USB flash drive (MIDI Song)
A.00 to A.99 	User Song in USB flash drive (Audio Song)

When the selected Song contains already-recorded data
You can confirm it by checking the display.

(Figure)
When Song contains data
Three dots light up.
When Song does not contain data
Only the left-most dot lights up.

NOTICE
When the selected Song contains data, keep in mind that recording new data will erase the existing data.

4	Select a Voice (page 20) and other parameters such as Beat (page 22) for recording.

Using the Metronome
You can use the metronome while recording, although the metronome sound will not be recorded.

5	Press [RECORD] to engage the Record mode.
The [RECORD] lamp lights up, and the [PLAY/STOP] lamp flashes according to the current tempo.

(Figure)
Lights up
Flashes

To exit from the Record mode, press [RECORD] again.

If memory space is running low:
An "EnP" or "FUL" message will appear in the display after pressing [RECORD]. If "Enp" appears, you can start recording, but the memory may become full during recording. If "FUL" appears, you cannot start recording. We recommend that you first remove any unnecessary files (page 39) to ensure sufficient memory capacity.

6	Start recording.
Play a note on the keyboard or press [PLAY/STOP] to start recording.

With MIDI Recording:
While recording, the current measure number is shown on the display.

(Figure)
Measure number

NOTE
If the memory becomes full, or the recording data or time exceed the maximum limit for one song during recording, "FUL" appears on the display and recording will stop automatically. In this situation, press any button to clear the "FUL" indication. Keep in mind that your performance data may not have been correctly saved.

With Audio Recording:
While recording, the elapsed time is shown on the display.

(Figure)
Elapsed time
Indicates minutes. In case of 10 minutes or more, only the lowest digit is shown.
Indicates seconds.

NOTE
With audio recording, the sound input from the [AUX IN] jack is also recorded.

7	Press [RECORD] or [PLAY/STOP] to stop recording.
Dashes appear on the display in succession, indicating that the recorded data is being saved. After the data is saved, an "End" message appears for three seconds, indicating that the Record mode is disengaged.

NOTICE
While dashes appear in the display in succession, never turn off the power or disconnect the USB flash drive. Doing so may delete all Song data in the instrument, including external Songs (page 31).

8	Press [PLAY/STOP] to hear the recorded Song.
To stop playback, press [PLAY/STOP] again.

NOTE
The recorded User Song data on this instrument can be saved to a USB flash drive. Refer to page 38.

Deleting a Song file
If you want to delete the recorded Song, refer to page 39.



Using USB Flash Drives
With a USB flash drive plugged in, you can use this instrument to perform the following tasks.

Formatting a USB flash drive	page 37
Listening to songs stored on the USB flash drive	page 31
Recording your performances on the USB flash drive	page 34
Copying User Songs recorded on the instrument to the USB flash drive	page 38
Deleting songs from the USB flash drive	page 39

NOTE
The Format, Copy and Delete operations cannot be done in the following situations.
During Song playback (page 31)
Record mode (page 35)


About USB Flash Drives

Precautions when using the [USB TO DEVICE] terminal
This instrument features a built-in [USB TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below.

NOTE
For more information about the handling of USB devices, refer to the owner's manual of the USB device.

Compatible USB devices
USB flash drive
Other USB devices such as a USB hub, computer keyboard or mouse cannot be used.
The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee operation of USB devices that you purchase. Before purchasing a USB device for use with this instrument, please visit the following web page:
https://download.yamaha.com/
Although USB devices 1.1 to 3.0 can be used on this instrument, the amount of time for saving to or loading from the USB device may differ depending on the type of data or the status of the instrument.

NOTE
The rating of the [USB TO DEVICE] terminal is a maximum of 5V/500mA. Do not connect USB devices having a rating above this, since this can cause damage to the instrument itself.

Connecting a USB flash drive
When connecting a USB flash drive to the [USB TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction.

(Figure)

NOTICE
Avoid connecting or disconnecting the USB flash drive during playback/recording and file management operations (such as Save, Copy, Delete and Format), or when accessing the USB flash drive. Failure to observe this may result in "freezing" of the operation of the instrument or corruption of the USB flash drive and the data.
When connecting then disconnecting the USB flash drive (and vice versa), make sure to wait a few seconds between the two operations.

NOTE
Do not use an extension cable when you connect a USB flash drive.

Using a USB flash drive
By connecting the instrument to a USB flash drive, you can save data you've created to the connected device, as well as read data from the connected USB flash drive.

Number of USB flash drives that can be used
Only one USB flash drive can be connected to the [USB TO DEVICE] terminal.

Formatting a USB flash drive
You should format the USB flash drive only with this instrument (page 37). A USB flash drive formatted on another device may not operate properly.

NOTICE
The format operation overwrites any previously existing data. Make sure that the USB flash drive you are formatting does not contain important data.

To protect your data (write-protect)
To prevent important data from being inadvertently erased, apply the write-protect provided with each USB flash drive. If you are saving data to the USB flash drive, make sure to disable write-protect.

Turning off the instrument
When turning off the instrument, make sure that the instrument is NOT accessing the USB flash drive by playback/recording or file management (such as during Save, Copy, Delete and Format operations). Failure to do so may corrupt the USB flash drive and the data.


Formatting USB Flash Drive

NOTICE
Executing the Format operation will delete all data in the USB flash drive. Before formatting, save important data to a computer or another storage device.

1	Connect the USB flash drive to the [USB TO DEVICE] terminal.

2	While holding [FUNCTION] and [PLAY/STOP], press [RECORD].
"For" appears on the display for a while, then "n Y" appears. If you wish to cancel this operation, press [minus] here.

(Figure)

NOTE
When you execute a Song Recording (page 35), Copy (page 38) or Delete (page 39) operation, a "UnF" prompt may appear in the display, indicating that the USB flash drive has not been formatted yet. In this case, execute the Format operation by proceeding from Step 2 as described at left.

3	Press [plus] to execute the Format operation.
Dashes appear in succession on the display, indicating that Formatting is in process. When the operation is completed, "End" appears on the display.

NOTICE
While dashes appear in succession on the display, never turn off the power or disconnect the USB flash drive.


Copying User Songs in the Instrument to USB Flash Drive
You can copy the User Song in the instrument to the USB flash drive. The copied Song is saved as SMF format 0 to the "USER FILES" folder in the USB flash drive, and the file is automatically named as "USERSONG**.MID" (**: numerals).

1	Connect the USB flash drive to the [USB TO DEVICE] terminal.

2	For the Copy source, select a User Song in this instrument.
For detailed instructions, refer to page 31.

3	While holding [FUNCTION], press [PLAY/STOP].

(Figure)

On the display, "SAu" appears for a while then the Song number (for example "S.00") appears as Copy destination.

(Figure)
Song number
(Example: "S.00")

NOTE
If any Song other than one of the User Songs is selected in Step 2, "Pro" appears in Step 3. In this case, return back to Step 2.

NOTE
When there is insufficient free memory capacity in the USB flash drive, the copied Song cannot be saved. To ensure sufficient memory, try erasing unnecessary files (page 39).

To cancel the Copy operation before it begins, press any button other than [PLAY/STOP] here.

4	Press [PLAY/STOP] to execute the Copy operation.
Dashes appears in succession on the display, indicating that the Copy operation is in process. When the Copy is completed, "End" appears on the display.

NOTICE
When dashes appear in the display in succession, never turn off the power or disconnect the USB flash drive.


Deleting a Song file
A User Song can be deleted.

1	If necessary, connect the USB flash drive to the [USB TO DEVICE] terminal.

NOTE
Song Playback is not available after executing Step 3. Make sure to confirm the to-be-deleted Song before executing Step 3.

2	Select the Song to be deleted.
For details on how to select a Song file, refer to page 32.

3	While holding down [FUNCTION], press [RECORD].

(Figure)

"dEL" appears on the display for a while, then "n Y" appears on the display. If you wish to cancel this operation, press [minus].

4	Press [plus] to execute the Delete operation. 
Dashes appear in succession on the display, indicating that the Delete operation is in process. When the operation is completed, "End" appears on the display.

NOTICE
While dashes appear in succession on the display, never turn off the power or disconnect the USB flash drive.

NOTE
The operation here does not apply to Songs transferred from the computer to this instrument's internal memory. If you want to delete such a Song, use a computer.


Managing files on a USB flash drive
When organizing files on a USB flash drive using a computer, etc., make sure to place External Songs only in the first, second, or third hierarchical folder level. This instrument will not be able to select or play songs from any level lower than that.

(Figure)
USB flash drive
First level
Song file
USER FILES folder
Song folder
Second level
User Song (MIDI) USERSONG xx.mid
User Song (audio) USERAUDIO xx.wav
Song file
Song folder
Third level
Song file
These Songs are playable.
Song folder
Fourth level
Song file
Song folder
These Songs are not playable.



Backup Data and Initializing


Backup Data in Internal Memory
The following data, referred to as Backup data, as well as User Song data and External Song data will be maintained even if the power is turned off.

Character Code	page 33
Tuning	page 29
IAC on/off 	page 17
IAC Depth	page 17
Auto Power Off on/off	page 16
Metronome volume	page 22
Audio Song volume	page 33
AUX IN Noise Gate on/off	page 41
AUX OUT/OUTPUT Volume Fixed on/off	page 43


Initializing the Backup Data
While holding down the C7 key, turn on the power. The Backup data (with the exception of "Character Code") will be initialized. Note that User Songs and External Songs are not erased.

(Figure)
Highest key (C7)

The display indicators flash in a pattern, indicating that the initialization is in process. When the operation is completed, the "CLr" indication appears.

NOTICE
While the display indicators flash in a pattern (i.e., data is being initialized), never turn off the power.

NOTE
If this instrument somehow becomes disabled or malfunctions, turn off the power to the instrument, then perform the initialization procedure.



Connections

CAUTION
Before connecting the instrument to other electronic components, turn off the power to all the components. Before turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, damage to the components, electrical shock, or even permanent hearing loss may occur.

Refer to the "Panel Controls and Terminals" on page 10 for information on the location of the connectors.


Connecting Audio Devices ([AUX IN] jack, AUX OUT [L/L+R] [R] jacks)

Playing a Portable Audio Player with the Built-in Speakers--[AUX IN] jack
You can connect the headphone jack of a portable audio player to the instrument's [AUX IN] jack, letting you hear the sound of that audio player through the built-in speakers of the instrument.

NOTICE
To avoid damage to the devices, first turn on the power to the external device, then to the instrument. When turning off the power, first turn off the power to the instrument, then to the external device.

(Figure)
Instrument
Phone plug (stereo mini)
Audio cable
Audio signal
Phone plug (stereo mini)
Headphone jack
Portable audioplayer

NOTE
Use audio cables and adaptor plugs having no (zero) resistance.

NOTE
The sound via the [AUX IN] jack is output only from the right and left speakers, and not from the center and rear speakers.

Minimizing noise of the input sound via Noise Gate
By default, this instrument cuts unwanted noise from the input sound. However, this may result in necessary sounds also being cut, such as the soft decay sound of a piano or guitar. To avoid this, set the Noise Gate to off via the following operation.

While holding down [FUNCTION], press the C sharp 6 key repeatedly to toggle Noise Gate on and off as needed.

(Figure)
Highest key (C7)

Default setting: ON

Using an External Stereo System for Playback--AUX OUT [L/L+R] [R] jacks (unbalanced)
These jacks let you connect the instrument to external powered speaker systems, for playing in larger venues at higher volumes.

(Figure)
Instrument
AUX OUT
Phone plug (standard)
Audio cable
Audio signal
Phone plug (standard)
AUX IN
Powered speaker

NOTICE
To avoid possible damage to the devices, first turn on the power to the instrument, then to the external device. When turning off the power, first turn off the power to the external device, then to the instrument. Since this instrument's power may automatically be turned off due to the Auto Power Off function (page 16), turn off the power to the external device, or disable Auto Power Off when you do not intend to operate the instrument. If the instrument's power is automatically turned off via the Auto Power Off function, first turn off the external device, then turn on the power to the instrument then the external device again.
When the AUX OUT jacks are connected to an external device, never connect the [AUX IN] jacks to the output jacks of the external device. Doing so could result in feedback (oscillation) that may damage both the devices.

NOTE
Use audio cables and adaptor plugs with no resistance.

NOTE
Use only the AUX OUT [L/L+R] jack for connection with a mono device.

NOTE
If you are monitoring the sound output via the AUX OUT [L/L+R] [R] jacks from headphones connected to the instrument, you should set "Binaural sampling/Stereophonic Optimizer" to "OFF." Refer to page 18 for details.


Connecting to a Mixer--OUTPUT [L] [R] jacks (Balanced)
In recording and live-performance environments, musical instruments are commonly connected to a mixer. For these applications, this instrument is equipped with a pair of professional-use, balanced XLR jacks that prevent unwanted noise in the output signals. When connecting to a mixer, we recommend using these OUTPUT [L] [R] jacks.

(Figure)
Instrument
XLR connector
Mixer
OUTPUT R
OUTPUT L
Amplifier
Left speaker
Right speaker

NOTICE
To avoid possible damage to the devices, first turn on the power to the instrument, then to the external device. When turning off the power, first turn off the power to the external device, then to the instrument. Since this instrument's power may automatically be turned off due to the Auto Power Off function (page 16), turn off the power to the external device, or disable Auto Power Off when you do not intend to operate the instrument. If the instrument's power is automatically turned off via the Auto Power Off function, first turn off the external device, then turn on the power to the instrument then the external device again.
When the OUTPUT jacks are connected to an external device, never connect the [AUX IN] jacks to the output jacks of the external device. Doing so could result in feedback (oscillation) that may damage both the devices.

NOTE
If you are monitoring the sound output via the OUTPUT [L] [R] jacks from headphones connected to the instrument, you should set "Binaural sampling/Stereophonic Optimizer" to "OFF." Refer to page 18 for details.


Fixed AUX OUT/OUTPUT Volume--AUX OUT [L/L+R] [R] jacks and OUTPUT [L] [R] jacks
By setting this parameter to "On," you can fix the volume of audio output via the AUX OUT [L/L+R] [R] and the OUTPUT [L] [R] jacks.

While holding down the [FUNCTION] button, press the D6 key repeatedly (if necessary) to turn Fixed AUX OUT/OUTPUT Volume on/off.

(Figure)
Highest key (C7)

(Table)
Display	Descriptions
On	The volume of audio output is fixed and the [MASTER VOLUME] control has no effect.
OFF	The volume of audio output is adjusted by using the [MASTER VOLUME] control.
(Table End)

Default setting: OFF


Connecting to a Computer ([USB TO HOST] terminal)
By connecting a computer to the [USB TO HOST] terminal, you can transfer Song data between the instrument and the computer via MIDI, and take advantage of sophisticated computer music software. For details, refer to the "Computer-related Operations" on the website (page 9).

Files that can be transferred from a computer to this instrument (and vice versa).
Song file: .mid (SMF format 0, 1)

NOTE
Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.


Connecting to an iPhone/iPad (MIDI [IN] [OUT] connectors, [USB TO HOST] terminal)
You can use a smart device, such as an iPhone or iPad, with the instrument for a variety of musical purposes by connecting it to the instrument. By using application tools on your smart device, you can take advantage of convenient functions and get more enjoyment out of this instrument. You can make connections by one of the following methods.

Connect to the MIDI [IN] [OUT] connectors via the wireless MIDI adaptor (MD-BT01, sold separately).
Connect to the [USB TO HOST] terminal via the wireless MIDI adaptor (UD-BT01, sold separately).

For details on connections, refer to the "iPhone/iPad Connection Manual" on the website (page 9). For information about the compatible smart devices and application tools, access the following page:
https://www.yamaha.com/kbdapps/

NOTICE
Do not place your iPhone/iPad in an unstable position. Doing so may cause the device to fall and result in damage.

NOTE
When you use the instrument along with an application on your iPhone or iPad, we recommend that you set "Airplane Mode" to "ON" on that device in order to avoid noise caused by communication.

NOTE
These accessories may not be available depending on your area.


Connecting External MIDI Devices (MIDI [IN] [OUT] connectors)
MIDI (Musical Instrument Digital Interface) is a global format standard for performance data transmission and reception between electronic musical instruments. Connecting musical instruments that support MIDI via MIDI cables enables you to transfer performance and setting data between multiple musical instruments. Using MIDI, you can also achieve more advanced performances than using just a single musical instrument.

(Figure)
Receives MIDI data.
Transmits MIDI data.

NOTE
You need a dedicated MIDI cable to make a MIDI connection.

NOTE
The handled MIDI messages differ depending on the MIDI instrument. In other words, some MIDI messages transmitted from this instrument may not be recognized on a different MIDI instrument. For details, you should check the MIDI Implementation Chart of each MIDI instrument. The MIDI Implementation Chart of this instrument is described in the "MIDI Reference" on the website (page 9).

NOTE
During Song playback, data of only MIDI channels 3 to 16 will be output via MIDI.

NOTE
Voice Demo Song and Preset Song data are not transmitted via MIDI.

Example for MIDI connection

Example 1
The connection below allows you to play the sounds of an external MIDI tone generator from the keyboard of this instrument.

(Figure)
N3X
MIDI OUT
Performance data
MIDI IN
MIDI tone generator

Set the MIDI Receive Channel of the external MIDI tone generator to "1," since the MIDI Transmit Channel of this instrument is set to "1."

Example 2
The connection below allows you to play the sounds of this instrument by playing back a Song on an external sequencer.

(Figure)
N3X
MIDI IN
Song data
MIDI OUT
Sequencer

The MIDI Receive Channels of this instrument can only be set to 1 and 2. This is why the data for the piano part should be assigned to MIDI Channels 1 and 2 of the Song.

Local Control on/off
Normally, playing the keyboard will control the internal tone generator. This situation is called "Local Control ON." If you want to use the keyboard only for controlling an external MIDI instrument, turn off Local Control. With this setting, this instrument will produce no sound even if you play the keyboard.

To turn the Local Control ON or OFF
While holding down [FUNCTION], press the C6 key repeatedly (as necessary).

(Figure)
Highest key (C7)

Default setting: ON


Message List

(Table)
Message	Descriptions
CLr	Displayed when the initialization (page 40) is completed.
con	Displayed when Musicsoft Downloader is started on a computer connected to the instrument. When this message appears, you cannot operate the instrument.
E01	Displayed when the character code (page 33) is not appropriate for the file name of the Song which you are selecting. Switch the character code.
	Displayed when the data format is not compatible with this instrument, or the data has some other problems. This Song cannot be selected.
	Displayed when no USB flash drive can be found, or a problem has occurred in the USB flash drive. Disconnect and connect the device again, then execute the operation. If this message appears repeatedly even when there aren't any other likely problems, the USB flash drive may be damaged.
E02	Indicates that the USB flash drive is protected.
E03	Displayed when the memory of the USB flash drive becomes full, or the number of files and folders exceeds the system limit.
E04	Displayed when Audio Song playback or recording has failed. If you are using a USB flash drive to which data has already been stored or deleted a number of times, first make sure that the device does not contain important data, then format it (page 37) and connect to the instrument again.
EE1	A malfunction has occurred in the instrument. Contact your nearest Yamaha dealer or authorized distributor.
EEE	A malfunction has occurred in the instrument. Contact your nearest Yamaha dealer or authorized distributor.
End	Displayed when the current operation is completed.
EnP	The memory of the instrument or the USB flash drive is running out. We recommend that you remove any unnecessary files (page 39) to ensure sufficient memory capacity before start recording.
FUL	The operation could not be completed because the instrument's internal memory or the USB flash drive is nearly full. If this message is shown while recording, your performance data may not be correctly saved.
n Y	Confirms whether each operation is executed or not.
Pro	Displayed when you try to overwrite or delete a protected Song or read-only file. Use a read-only file after cancelling the read-only setting.
UnF	Displayed when an unformatted USB flash drive is connected. First make sure that the device does not contain important data, then format it (page 37).
Uoc	Communication with the USB flash drive has been shut down because of overcurrent to the USB flash drive. Disconnect the USB flash drive from the [USB TO DEVICE] terminal, then turn on the power of the instrument again.
UU1	Communication with the USB flash drive has failed. Remove the USB flash drive and make the connection again. If the message appears even when the USB flash drive is connected properly, the USB flash drive may be damaged.
UU2	This USB flash drive is not supported on this instrument, or too many USB flash drives may have been connected. Refer to "About USB Flash Drives" (page 36) for information on the USB flash drive connection.
(Table End)

When an operation (such as saving or data transfer) is in process, the display shows a sequence of flashing dashes.
Press any button to exit from these message displays.


Troubleshooting

Problem
The instrument does not turn on.

Possible Cause and Solution
The instrument has not been plugged in properly. Securely insert the female plug into the socket on the instrument, and the male plug into a proper AC outlet (page 14).

Problem
A click or pop is heard when the power is turned on or off.

Possible Cause and Solution
Electrical current is being applied to the instrument. This is normal.

Problem
The power is automatically turned off.

Possible Cause and Solution
This is normal and due to the Auto Power Off function. If necessary, set the parameter of the Auto Power Off function (page 16).

Problem
Noise is heard from the speakers or headphones.

Possible Cause and Solution
The noise may be due to interference caused by the use of a mobile phone in close proximity to the instrument. Turn off the mobile phone, or use it further away from the instrument.

Problem
Noise is heard from the instrument's speakers or headphones when using the instrument with the application on iPhone/iPad.

Possible Cause and Solution
When you use the instrument along with the application on your iPhone/iPad, we recommend that you set "Airplane Mode" to "ON" on your iPhone/iPad in order to avoid noise caused by communication.

Problem
The overall volume is low, or no sound is heard.

Possible Cause and Solution
The Volume is set too low: set it to an appropriate level using the [MASTER VOLUME] control (page 17).

Problem
The overall volume is low, or no sound is heard.

Possible Cause and Solution
Make sure a pair of headphones is not connected to the headphones jack (page 18).

Problem
The overall volume is low, or no sound is heard.

Possible Cause and Solution
Make sure that Local Control (page 45) is on.

Problem
Sound is still heard from the instrument even though headphones are plugged in.

Possible Cause and Solution
When the TRS is on, sound can be heard slightly even if the headphones are connected. Turn the TRS off to mute all sound other than the headphones (page 25).

Problem
The pitch and/or tone of the Piano Voices in certain ranges do not sound right.

Possible Cause and Solution
The Piano Voices attempt to precisely simulate actual piano sounds. However, as a result of sampling algorithms, overtones in some ranges may sound exaggerated, producing a somewhat different pitch or tone. This is normal, and no cause for concern.

Problem
Sound is not heard on a particular key.

Possible Cause and Solution
Keyboard may not function normally if the key was pressed when the power was turned on. Turn off the power and turn it again to reset the function. Do not touch any keys when turning the power on (page 15).

Problem
Sound input to the [AUX IN] jacks is interrupted.

Possible Cause and Solution
The output volume of the external device connected to this instrument is too low, resulting in the sound being cut off via the Noise Gate after it is input to this instrument.
Increase the output volume of the external device. The volume level reproduced via this instrument's speakers can be adjusted by using the [MASTER VOLUME] control.

Problem
Sound input to the [AUX IN] jacks is interrupted.

Possible Cause and Solution
The output volume of the external device connected to this instrument is too low, resulting in the sound being cut off via the Noise Gate after it is input to this instrument.
Set the Noise Gate to off (page 41).

Problem
The damper pedal has no effect.

Possible Cause and Solution
The pedal cord may not be properly connected. Make sure to securely insert the pedal cord into the pedal jack (page 51).

Problem
The USB flash drive has hung up (stopped).

Possible Cause and Solution
Disconnect the USB flash drive and connect it to the instrument again.

Problem
The USB flash drive has hung up (stopped).

Possible Cause and Solution
The USB flash drive is not compatible with the instrument. Only use the USB flash drive whose compatibility has been confirmed by Yamaha (page 36).

Problem
Mechanical noise is heard during performance.

Possible Cause and Solution
The keyboard mechanism of this instrument simulates the keyboard mechanism of an actual piano. Mechanical noise is also heard on a piano.

The message list (page 46) is also provided for your reference.


Preset Song List

(Table)
Display	Song Name	Composer
P.01	Prelude op.3-2, Morceaux de fantaisie	S.Rakhmaninov
P.02	Madchens Wunsch, 6 Chants polonaise	F.Liszt
P.03	Sonate fur Klavier Nr.14 "Mondschein", op.27-2	L.v.Beethoven
P.04	Sonate fur Klavier Nr.5, K.283	W.A.Mozart
P.05	Nocturne, op.9-1	F.F.Chopin
P.06	Sonate, K.380, L.23	D.Scarlatti
P.07	Valse, op.69-2	F.F.Chopin
P.08	Aria, Goldberg-Variationen, BWV.988	J.S.Bach
P.09	Fantaisie-Impromptu	F.F.Chopin
P.10	Clair de lune	C.A.Debussy
(Table End)


Assembling the Unit
When assembling the unit, consult a qualified AvantGrand dealer.

CAUTION
Be careful not to confuse parts, and be sure to install all parts in the correct orientation. Please assemble in accordance with the sequence given below.
Assembly should be carried out by at least three persons.
Be sure to use the correct screw size, as indicated below. Use of incorrect screws can damage the instrument.
Be sure to tighten all screws upon completing the assembly of each unit.
To disassemble, reverse the assembly sequence given below.

Have a Phillips-head (plus) screwdriver of the appropriate size ready.

(Figure)

CAUTION
Do not lay the main unit upside down on the floor.

(Figure)
Incorrect

1	Remove the parts and collect them together for assembly.
1-1	Remove the parts shown below from the smaller box.

(Figure)
Legs
Front (L)
Rear
Front (R)
Bolts (17 pcs.)
Screws (4 pcs.)
Pedal
Pedal brace rods (2 pcs.)
Power cord
Cord holders (3 pcs.)
Wrench
(Used to tighten bolts)

1-2	Set the larger box upright with the right side up.

(Figure)
This side down

1-3	Cut the bands.
1-4	Remove the covers.

2	Attach and securely tighten the right front leg and the rear leg with the bolts.

(Figure)
x6
x5

CAUTION
When the instrument is set upright (as in the illustration above), take extra care not to keep the instrument from falling over, since it is unstable in this position.

3	Set a blanket at the left corner.

(Figure)

4	Set the piano upright.

(Figure)

5	Attach and securely tighten the left front leg with the bolts while holding the piano firmly.

(Figure)
x6

CAUTION
Do not hold the control panel. Using excessive force on the panel can result in damage to the instrument.

6	Attach the pedal brace rods.
Find the threaded bores on the bottom of the unit, and securely tighten the screws to attach the rods.

(Figure)

7	Attach the pedal.
Insert the pedal brace rods into the pedal box recesses and make sure they fit securely, then securely tighten the screws to attach the pedal.

(Figure)

8	Connect the pedal cord.
8-1	Make sure the pedal cord is clipped into the cord holder.
8-2	Insert the pedal cord plug into the pedal jack.

(Figure)

9	Connect the power cord.
9-1	Set the voltage selector and insert the power cord plug to the [AC IN] connector.
9-2	Attach the cord holders to the instrument, then clip the power cord into the holder.

(Figure)
[AC IN] connector (page 10)
Voltage Selector
(the bottom of the left side as seen from the front)

Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a "minus" screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC IN and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.

WARNING
An improper voltage setting can cause serious damage to the instrument or result in improper operation.

CAUTION
If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.

After completing the assembly, please check the following.
Are there any parts left over?
	-> Review the assembly procedure and correct any errors.
Is the instrument clear of doors and other movable fixtures?
	->  Move the instrument to an appropriate location.
Does the instrument make a rattling noise when you shake it?
	->  Tighten all screws.
Is the power cord inserted securely into the sockets?
	->  Check the connection.
Is the pedal unstable? 
	->  Loosen the screws of the pedal brace rods, then tighten the screws again while pushing the rods toward the pedal.


Specifications

(Table)
Product Name			Hybrid Piano
Size/Weight	Width		1,481 mm (58-5/16")
	Height [Lid up]		1,014 mm (39-15/16") [1,734 mm (68-1/4")]
	Depth		1,195 mm (47-1/16")
	Weight		199 kg (438lbs., 12oz.)
Control Interface	Keyboard	Number of Keys	88 (A-1 to C7)
		White	Ivorite
		Black	Phoenolic resin
		Touch Sensitivity	Hard/Medium/Soft/Fixed
	Sensor System	Hammer Sensors	Non-contact optical fiber
		Key Sensors	Non-contact optical fiber
	Pedal	Number of Pedals	3
		Functions	Damper (with half-pedal effect), Sostenuto, Soft
		Type	Specialized Grand Piano Pedal for AvantGrand
	Tactile Response System (TRS)		Yes
Cabinet	Fallboard		Yes
	Music Rest		Yes (angle adjustable)
Voices	Tone Generation	Piano Sound	Spatial Acoustic Sampling
		Binaural Sampling	Yes (CFX Grand Voice only)
	Piano Effect	VRM	Yes
		Key-off Samples	Yes
		Smooth Release	Yes
	Polyphony	Number of Polyphony (max.)	256
	Preset	Number of Voices	10
Effects	Types	Reverb	Yes
		Brilliance	5
		Intelligent Acoustic Control (IAC)	Yes
		Stereophonic Optimizer	Yes
Songs (MIDI)	Preset	Number of Preset Songs	10 preset songs, 10 voice demo songs
	Recording	Number of Songs	10
		Number of Tracks	1
		Data Capacity	approx. 550 KB/Song
	Format	Playback	SMF (Format 0, 1)
		Recording	SMF (Format 0)
Recording/Playback (Audio)	Recording Time (max.)		80 minutes/Song
	Format 	Playback	WAV (44.1kHz, 16bit, stereo)
		Recording	WAV (44.1kHz, 16bit, stereo)
Functions	Overall Controls	Metronome	Yes
		Tempo Range	5 to 500
		Transpose	-6 to 0 to +6
		Tuning	414.8 to 440.0 to 466.8 Hz 
		Scale Type	7 types
Storage and Connectivity	Storage	Internal Memory	approx. 1.4 MB
		External Drives	USB Flash Drive
	Connectivity	Headphones	Standard stereo phone jack (x 2)
		MIDI	IN/OUT
		AUX IN	Stereo Mini
		AUX OUT	[L/L+R] [R] (Standard phone jack, unbalanced)
		OUTPUT	[L] [R] (XLR jack, balanced)
		USB TO DEVICE	Yes
		USB TO HOST	Yes
Sound System	Spatial Acoustic Speaker System		Yes
	Amplifiers		80 W x 2 + 45 W x 4 + 35 W x 5 + 25 W x 4
	Speakers		(16 cm + 13 cm + 2.5 cm) x 4
	Acoustic Optimizer		Yes
	Soundboard Resonator		Yes
Power Supply	Auto Power Off		Yes
		Standby Power Consumption	0.3 W	
Included Accessories			Owner's Manual (this book), Power cord, Warranty*, Felt Key Cover, Bench*, Online Member Product Registration
			*May not be included depending on your area. Check with your Yamaha dealer.
Separately Sold Accessories (May not be available depending on your area.)			Headphones (HPH-50/HPH-100/HPH-150), Wireless MIDI Adaptor (MD-BT01/UD-BT01)
(Table End)

The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.

This is the end of the file.
