Clavinova CLP-955
Owner's Manual

About this manual (two types of files):

- A text file named "00_Model Name.txt":
  This file is the text of the entire manual.
- Other text files, which have been named "Number_Chapter Name.txt"
(e.g., "01_Introduction.txt", "02_Contents.txt" etc.):
  The manuals are divided into separate files for every chapter.

IMPORTANT
Check your power supply
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped.
To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.

SAVING USER DATA
Save all data to an external device such as the Yamaha MIDI Data Filer MDF3, in order to help prevent the loss of important data due to a malfunction or user operating error. 

Introduction
Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure.

The Clavinova CLP-955 digital piano offers unmatched sonic realism and natural grand-piano type playability with Yamaha's original "AWM Dynamic Stereo Sampling" tone generation technology for rich, musical voices, and a special "Graded Hammer" keyboard which provides graded key weight and response throughout the keyboard range. The grand piano voices feature totally new samples painstakingly recorded from a full concert grand piano.
The GRAND PIANO 1 voice features multiple velocity-switched samples (Dynamic Sampling), a "Soundboard Reverb" effect which accurately simulates the resonance of a piano soundboard, special "Sustain Samples" which recreate the unique resonance of an acoustic grand piano's soundboard and strings when the damper pedal is pressed, and "Key-off Samples" that add the subtle sound produced when the keys are released.

Dual mode allows 2 voices to be played simultaneously.

Split mode allows different voices to be played by the left and right hands.

Metronome feature with variable tempo facilitates practice.

2-track digital recorder lets you record and play back anything you play on the keyboard.

MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of advanced MIDI music systems.

Built-in computer interface for direct connection to personal computers running advanced music software.

In order to make the most of your Clavinova's performance potential and features, we urge you to read this Owner's Manual thoroughly, and keep it in a safe place for later reference.

Trademarks
Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
IBM-PC/AT is a trademark of International Business Machines Corporation.
Windows is the registered trademark of Microsoft Corporation.
All other trademarks are the property of their respective holders.

Included Accessories
Owner's Manual
Bench (included or optional depending on locale)
"50 greats for the Clavinova" Score Collection

"The Clavinova-Computer Connection," a document describing what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system is available online as a PDF document (in English) at the following internet address:
Clavinova Home Page:
http://www.yamahaclavinova.com/
Manual Library (Electronic Musical Instruments and XG Related Products)
http://www.yamaha.co.jp/manual/english/

Contents
The Control Panel	6
Connections	8
Preparation	10
Selecting & Playing Voices	11
Playing the Demonstration Tunes	12
Voice Demo  	12
Preset Song  	13
Preset Song A-B Repeat	14
Preset Song Part Cancel	15
Synchro Start	15
Left Pedal Start/Stop	15
The Dual Mode	16
Other Dual Mode Functions	16
The Split Mode	17
Selecting the Right and Left Voices	17
Setting the Split Point	17
Other Split Mode Functions	17
Reverb	18
Adjusting Reverb Depth	18
The Effect	19
Adjusting Effect Depth	19
Brilliance	19
The Pedals	20
Damper (Right) Pedal	20
Sostenuto (Center) Pedal	20
Soft (Left) Pedal	20
Touch Sensitivity	21
Transposition	21
Tuning	22
Tuning Up	22
Tuning Down	22
To Restore Standard Pitch	22
The Metronome & Tempo Control	23
The Metronome	23
Metronome Time Signature	23
Metronome Volume Function	23
Tempo Control	23
Using the User Song Recorder	24
Recording	24
Changing the Initial Settings	25
Erasing a Single Track	25
Playback	26
Synchro Start	26
Left Pedal Start/Stop	26
The Function Mode	27
To Select a Function	27
F1: Tuning	28
F2: Scale	28
F2.1: Scale	28
F2.2: Base Note	28
F3: Dual Mode Functions	29
F3.1: Dual Balance	29
F3.2: Dual Detune	29
F3.3: 1st Voice Octave Shift	29
F3.4: 2nd Voice Octave Shift	29
F3.5: 1st Voice Effect Depth	30
F3.6: 2nd Voice Effect Depth	30
F3.7: Reset  	30
F4: Split Mode Functions	30
F4.1: Split Point	30
F4.2: Split Balance	30
F4.3: Right Voice Octave Shift	31
F4.4: Left Voice Octave Shift	31
F4.5: Right Voice Effect Depth	31
F4.6: Left Voice Effect Depth	31
F4.7: Damper Range	31
F4.8: Reset	31
F5: Pedal Functions	32
F5.1: Left Pedal Mode	32
F5.2: Sustain Sample Depth	32
F6: Metronome Volume	32
F7: Preset Song Part Cancel Volume	32
F8: MIDI Functions	33
A Brief Introduction to MIDI	33
F8.1: MIDI Transmit Channel Selection	33
F8.2: MIDI Receive Channel Selection	33
F8.3: Local Control ON/OFF	34
F8.4: Program Change ON/OFF	34
F8.5: Control Change ON/OFF	35
F8.6: MIDI Transmit Transpose	35
F8.7: Panel/Status Transmit	35
F8.8: Bulk Data Dump	35
F9: Backup Functions	36
F9.1: Voice	36
F9.2: MIDI	36
F9.3: Tuning	36
F9.4: Pedal	36
Connecting to a Personal Computer	37
Connecting to an Apple Macintosh Series Computer	37
Connecting to an IBM-PC/AT Series Computer	38
Using a USB Interface (such as the Yamaha UX256)	39
Factory Preset Recall	40
Troubleshooting	40
Options & Expander Modules	40
Voice Descriptions	41
Demo Song List	42
Factory Setting List	42
MIDI Data Format	43
MIDI Implementation Chart	47
Keyboard Stand Assembly	48
Specifications	56

Some lists, the score, and the index are not available.


The Control Panel
1 [POWER] Switch
Press the [POWER] switch once to turn the power ON, a second time to turn the power OFF. When the power is initially turned ON, a voice selector LED will light, and the power indicator located below the left end of the keyboard will light.
2 [MASTER VOLUME] Control
The [MASTER VOLUME] control adjusts the volume (level) of sound produced by the Clavinova's internal stereo sound system. The [MASTER VOLUME] control also adjusts headphone volume when a pair of headphones is plugged into the PHONES jack (page 10).
3 [BRILLIANCE] Control
The [BRILLIANCE] Control adjusts the tonality or "timbre" of the output sound from a mellow tone to a bright tone.
4 [DEMO] Button
Activates the demo playback mode in which you can select playback of different demonstration sequences for each of the Clavinova's voices. See page 12 for details.
5 [TRANSPOSE] Button
The [TRANSPOSE] button allows access to the Clavinova's TRANSPOSE function (to shift the pitch of the entire keyboard up or down in semitone intervals).
6 [REVERB] Button
The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power. See page 18 for details.
7 [EFFECT] Button
This button selects a number of effects which can give your sound greater depth and animation.
8 [TOUCH] Button
The [TOUCH] button makes it easy to adjust the touch response of the Clavinova to match your playing style. See page 21 for details.
9 Voice Selectors
Simply press any of the voice selectors to select the corresponding voice. The voice selector LED will light to indicate which voice is currently selected. 
There is also a dual mode in which two voices can be played simultaneously across the full range of the keyboard (see page 16 for details), and a split mode which allows different voices to be played by the left and right hands (see page 17 for details).
10 [SPLIT] Button
Engages the split mode, in which different voices can be played on the left- and right-hand sections of the keyboard. See page 17 for details.
11 [METRONOME] Button
Turns the metronome sound on and off. The [TEMPO down, up] buttons are used to set the tempo of the metronome sound. The [minus/NO] and [plus/YES] buttons are used to change the time signature (beat) of the metronome if used while the [METRONOME] button is held - page 23.
12 [TEMPO down, up (FUNCTION Left, Right)] Buttons
These buttons adjust the tempo of the metronome function as well as the playback tempo of the recorder function. The tempo range is from 32 to 280 beats per minute - page 23. These same buttons are also used to select functions - page 27. 
13 [FUNCTION] Button
This button accesses a range of utility functions - including the MIDI functions - that significantly enhance versatility and playability. See page 27 for details.
14 [PRESET SONG] Button
This button enters the preset song mode. While in this mode you can use the [minus/NO] and [plus/YES] buttons to select from 50 songs.
15 [SONG SELECT down, up] (minus/NO, plus/YES) Buttons 
These buttons select a preset song number for playback, and are also used to adjust a range of other parameters.
16 SONG [START/STOP] and [REC] Buttons
These buttons control the Clavinova's user song recorder, letting you record and play back just about anything you play on the keyboard.
17 TRACK [1] and [2] Buttons
The Clavinova has a 2-track recorder, and these buttons are used to select the track(s) to be recorded or played back. See page 24 for details.
18 Pedals
The soft (left), sostenuto (center) and damper (right) pedals provide a range of expressive control capabilities similar to the pedal functions on an acoustic piano. See page 20 for details.


Connections
CAUTION
Before connecting the Clavinova to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all-volume levels to minimum.

Bottom Panel
1 AUX OUT L/L+R and R Jacks
The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for connection to an instrument amplifier, mixing console, PA system, or recording equipment. If you will be connecting the Clavinova to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the left- and right-channel signals are combined and delivered via the L/L+R jack so you don't lose any of the Clavinova's sound.

CAUTION
When the Clavinova's AUX OUT jacks are connected to an external sound system, first turn the Clavinova power on, and then the power to the external amplifier/speaker system. Reverse this order when turning the power off.
The AUX OUT jack signal must never be returned to the AUX IN jacks, either directly or through external equipment.
NOTE
The AUX OUT jack signal is not controlled by the Clavinova's volume or brilliance control. Use the volume control on the external audio equipment to adjust the level.

2 AUX IN L/L+R and R Jacks
These jacks are intended for use with an external tone generator module such as the Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from the external tone generator module are connected to the AUX IN L/L+R and R jacks, allowing the sound of the tone generator to be reproduced via the Clavinova's internal sound system and speakers. A line-level mono source can be connected to the L/L+R jack.

CAUTION
When the Clavinova's AUX IN jacks are connected to an external source, first turn the power to the external device on, and then the power to the Clavinova. Reverse this order when turning the power off.
NOTE
The input signal from the AUX IN jacks is controlled by the Clavinova's volume and brilliance controls. Reverb and effect functions will have no affect.
The input signal from the AUX IN jacks is delivered to the AUX OUT jacks.

3 TO HOST Connector & HOST SELECT Switch
This jack and selector switch allow direct connection to a personal computer for sequencing and other music applications - without the need for a separate MIDI interface. See page 37 for details.
(Figure)
TO HOST: Personal Computer

4 MIDI IN, THRU and OUT Connectors
The MIDI IN connector receives MIDI data from an external MIDI device (such as the DOU-10 Disk Orchestra Unit) which can be used to control the Clavinova. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing "chaining" of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the Clavinova (e.g. note and velocity data produced by playing the Clavinova keyboard). More details on MIDI are given in "MIDI Functions" on page 33.
(Figure)
MIDI THRU: Tone Generator
MIDI IN/OUT: DOU-10

PHONES Jacks (Bottom Panel)
Two sets of standard stereo headphones can be plugged in here for private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into either of the PHONES jacks.

Preparation
Key Cover
Be careful to avoid catching your fingers when opening or closing the cover.

To open the key cover:
1 Lift the cover slightly.
2 Slide the cover open.

To close the key cover:
1 Slide the cover toward you.
2 Gently lower the cover over the keys.

CAUTION
Hold the cover with both hands when moving it, and do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others) between the cover and main unit.
Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside the main unit when the cover is opened and may not be able to be removed. This could cause electric shock, short circuit, fire or other serious damage to the instrument.

Music Stand
To raise the music stand:
1 Pull the stand up and toward yourself as far as it will go.
2 Flip down the two metal supports at the left and the right on the rear of the music stand.
3 Lower the music stand so that it rests on the metal supports.

To lower the music stand:
1 Pull the music stand toward yourself as far as it will go.
2 Raise the two metal supports (at the rear of the stand).
3 Gently lower the music stand backward until it is all the way down.

CAUTION
Do not try to use the music stand in a half-raised position.
When lowering the stand, do not release your hands from the music stand until it is all the way down.

Opening and Closing the Lid
When Opening:
1 Raise the music stand as described in "The Music Stand", above.
2 Raise and hold the right side of the lid (viewed from the keyboard end of the instrument).
3 Raise the lid stay and carefully lower the lid so that the end of the stay fits into the recess in the lid.
The lid can be opened to two positions. To open to the high position, use the inner recess, to open to the low position, use the outer recess.

When Closing:
1 Holding the lid stay, lift the lid so that the lid stay clears the recess, then carefully fold the lid stay and close the lid.
2 Refer to the instructions on "The Music Stand" and lower the music stand.

CAUTION
Make sure that the end of the stay fits securely in the lid recess and make sure the correct recess is used when opening to the high or low positions. If the stay is not properly seated in the recess, the lid may fall resulting in damage or injury.
Be careful that you or others do not bump the stay while the lid is raised. The stay may be bumped out of the lid recess causing the lid to fall.
Be careful not to catch your fingers when raising or lowering the lid.

Selecting & Playing Voices
1 Turn Power On
After making sure that the Clavinova's AC cord is properly plugged into the Clavinova itself and plugged into a convenient AC wall outlet, press the [POWER] switch located to the right of the keyboard to turn the power ON. In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
When the power is turned ON, one of the voice selector LEDs will light, and the power indicator located below the left end of the keyboard will light.
2 Set the Volume
Initially set the [MASTER VOLUME] control about half way between the "MIN" and "MAX" settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control for the most comfortable listening level.
3 Select a Voice
Select the desired voice by pressing one of the voice selectors. 

NOTE
See "Voice Descriptions" on page 41.

4 Play
The Clavinova also offers keyboard touch response, so the volume and timbre of notes played can be controlled according to how "hard" you play the keys. The amount of variation available depends on the selected voice.
NOTE
Some voices do not have keyboard touch response. See "Voice Descriptions" on page 41 for details.

5 Add Effects As Required
You can add or change reverb, effects and brilliance as desired by using the [REVERB] button (page 18), [EFFECT] button (page 19) and the [BRILLIANCE] control (page 19).

Playing the Demonstration Tunes
Demonstration tunes are provided that effectively demonstrate each of the Clavinova's voices. There are also 50 preset songs that you can play individually, all in sequence, or in random order. The "50 greats for the Clavinova" score collection provided with the Clavinova includes the written scores for all 50 preset songs. Here's how you can select and play the demo tunes. 

NOTE
The demo or preset song mode cannot be engaged while a user song recorder (page 24) is in use.
No MIDI reception occurs in the demo/preset song mode.
The demo/preset song data is not transmitted via the MIDI connectors.

* See page 42 for a complete listing of the demo tunes.

Voice Demo
1 Engage the Demo Mode
Press the [DEMO] button to engage the demo mode - the voice selector indicators will flash in sequence.

2 Play a Voice Demo
Press one of the voice selectors to start playback of all songs starting from the corresponding voice demo tune - featuring the voice normally selected by that voice selector button. (If you press the SONG [START/STOP] button instead of a voice selector button, the GRAND PIANO 1 demo tune will begin playback.) The indicator of the selected voice selector button will flash during playback, and "- - -" will appear on the LED display. You can start playback of any other voice demo tune during playback by simply pressing the corresponding voice selector. You can stop playback at any time by pressing the SONG [START/STOP] button or the voice selector of the currently playing demo.

NOTE
Use the [MASTER VOLUME] control to adjust the volume and the [BRILLIANCE] control to adjust the brilliance (page 19).

3 Exit From the Demo Mode
Press the [DEMO] button to exit from the demo mode and return to the normal play mode.

Preset Song
1 Engage the Preset Song Mode
Press the [PRESET SONG] button to engage the preset song mode - the [PRESET SONG], TRACK [1] and [2] indicators will light.

2 Play a Preset Song
To play any of the 50 preset songs provided, use the [SONG SELECT down, up] buttons to select the number of the tune you want to play (the number will appear on the LED display), then press the SONG [START/STOP] button. Playback will stop automatically when playback of the selected preset song has finished. 
Select "ALL" instead of a number to play all preset songs in sequence, or select "rnd" to continuously play all preset songs in random order. Press the SONG [START/STOP] button to stop playback. 

NOTE
Use the [MASTER VOLUME] control to adjust the volume.
You can set the metronome to sound during playback (see page 23).
You can use the [TEMPO down, up] buttons to adjust the playback tempo as required. This produces a relative tempo variation, with a range from "minus 50" through "- - -" to "50" at maximum; the range will differ depending on the selected song.
The default tempo "- - -" is automatically selected whenever a new preset song is selected, or playback of a new preset song begins during "ALL" or "rnd" playback.
You can play the keyboard along with the preset song playback. The voice playing on the keyboard can be changed.
You can change the Brilliance control and Reverb type that is applied to the voice you play on the keyboard and for the preset song playback. You can change the Effect type and Touch sensitivity that is applied to the voice you play on the keyboard. When a new preset song is selected or a new preset song is automatically started in continuous play, the HALL 1 reverb type will automatically be selected.

3 Exit From the Preset Song Mode
Press the [PRESET SONG] button to exit from the preset song mode, the indicator will go off, and return to the normal play mode.

Preset Song A-B Repeat
The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difficult phrases.

1 Specify the Beginning (A) of the Phrase
Select and play a preset song, then press the [FUNCTION] button at the beginning of the phrase you want to repeat. This sets the "A" point ("A-" will appear on the display). 
To set the "A" point at the very beginning of the song, press the [FUNCTION] button before starting playback.

2 Specify the End (B) of the Phrase
Press the [FUNCTION] button a second time at the end of the phrase. This sets the "B" point ("A-b" will appear on the display). At this point repeat playback will begin between the specified A and B points. The metronome will sound when playback begins to give you a tempo reference.

3 Stop Playback
Press the SONG [START/STOP] button to stop playback while retaining the specified A and B points. A-B repeat playback will resume if the SONG [START/STOP] button is then pressed again.
To cancel the A and B points press the [FUNCTION] button once.

NOTE
The A and B points are automatically canceled when a new song is selected.
The A-B Repeat function cannot be used during "ALL" or "rnd" playback.

Preset Song Part Cancel
The 50 preset songs have separate left- and right-hand parts that can be turned on and off as required so you can practice the corresponding part on the keyboard. The right-hand part is played by TRACK [1] track, and the left-hand part is played by TRACK [2] track.

1 Turn the Desired Part Off
Press the TRACK [1] or [2] button to turn the corresponding part off - the corresponding indicator will go out (these buttons alternately toggle the corresponding part on and off). 

NOTE
The parts can be turned on or off even during playback.
The Preset Song Part Cancel function cannot be used during "ALL" or "rnd" playback.
The "Preset Song Part Cancel Volume" function described on page 32 can be used to set the canceled part so that it plays at a volume from "0" (no sound) to "20". The default setting is "5".
Both parts are automatically turned ON whenever a new song is selected.

2 Start/Stop Playback
Press the SONG [START/STOP] button to start and stop playback as required. 

Synchro Start
When the Synchro Start function is engaged, playback of the selected preset song will begin automatically as soon as you start playing on the keyboard.
To engage the Synchro Start function press the SONG [START/STOP] button while holding the part button corresponding to the part which is ON. A dot will appear in the lower right corner of the display. (Repeat the previous operation to disengage the Syncro Start function.) 
Playback will then start as soon as you begin playing on the keyboard.

NOTE
If you hold a track button which is OFF while pressing the SONG [START/STOP] button, that track will be turned ON and the Synchro Start mode will be engaged. 

Left Pedal Start/Stop
The left pedal can be assigned to start and stop preset song playback via the "Left Pedal Mode" function described on page 32. 


The Dual Mode
The dual mode makes it possible to play two voices simultaneously across the entire range of the keyboard. 

To activate the dual mode simply press two voice selectors at the same time (or press one voice selector while holding another). The voice indicators of both selected voices will light when the dual mode is active. To return to the normal single-voice play mode, press any single voice selector.
According to the voice numbering priority as shown in the diagram on the left, lower valued voice numbers will be designated as the 1st Voice (the other voice will be designated as the 2nd Voice).
NOTE
The dual and split modes cannot be engaged at the same time.
[EFFECT] in the Dual Mode
Depending upon the conditions one effect type will take priority over the other. Depth will be decided according to the depth default value of the voice combination. However, using function F3 (see page 30) you can change the depth value for each voice as you like.
Effect depth setting via the panel controls (i.e. pressing the [minus/NO] or [plus/YES] buttons while holding the [EFFECT] button - see page 19) will be applied to the 1st Voice only.
[REVERB] in the Dual Mode
The reverb type assigned to the 1st Voice will take priority over the other. (If the reverb is set to OFF, the 2nd Voice's reverb type will be in affect.) 
Reverb depth setting via the panel controls (i.e. pressing the [minus/NO] or [plus/YES] buttons while holding the [REVERB] button - see page 18) will be applied to the 1st Voice only.

Other Dual Mode Functions
The Clavinova Function mode provides access to a number of other dual-mode functions, listed below. See the corresponding pages for details.
Dual Balance	29
Dual Detune	29
1st Voice Octave Shift	29
2nd Voice Octave Shift	29
1st Voice Effect Depth	30
2nd Voice Effect Depth	30
Reset	30

The Split Mode
The split mode makes it possible to play two different voices on the keyboard - one with the left hand and another with the right hand. The Left Voice is played on all keys to the left of (and including) a specified "split point" key, while the Right Voice is played on all keys to the right of the split point key. 
To activate the split mode simply press the [SPLIT] button so that its indicator lights. The split mode can be turned off at any time by pressing the [SPLIT] button again so that its indicator goes out.
NOTE
The dual and split modes cannot be engaged at the same time.

Selecting the Right and Left Voices
The voice that was selected before the split mode was engaged becomes the Right Voice in the split mode. (The Right Voice can also be changed while in the split mode, by simply pressing the corresponding voice selector.) 
To select a Left Voice press the corresponding voice selector while holding the [SPLIT] button (default: [WOOD BASS]). The indicator of the Left Voice selector will light while the [SPLIT] button is pressed, then only the Right Voice selector and [SPLIT] button indicators will remain lit.

NOTE
[EFFECT] in the Split Mode
Depending upon the conditions, one effect type will take priority over the other. Depth will be decided according to the depth default value of the voice combination. However, using function F4 (see page 31) you can change the depth value for each voice as you like.
Effect depth setting via the panel controls (i.e. pressing the [minus/NO] or [plus/YES] buttons while holding the [EFFECT] button - see page 19) will be applied to the Right Voice only.
[REVERB] in the Split Mode
The reverb type assigned to the Right Voice will take priority over the other. (If the reverb is set to OFF, the Left Voice's reverb type will be in affect.) 
Reverb depth setting via the panel controls (i.e. pressing the [minus/NO] or [plus/YES] buttons while holding the [REVERB] button - see page 18) will be applied to the Right Voice only.

Setting the Split Point
The split point is initially set at the F sharp 2 key by default. You can change the split point to any other key by pressing the key while holding the [SPLIT] button (the name of the current split-point key appears on the LED display while the [SPLIT] button is held). The split point can also be set via the Function mode (see below).
Example
(Table)
Display	Note
A-1	A-1
b=1	B flat-1
C 2	C2
F-2	F sharp 2
(Table End)
"flat" is indicated with a lower "bar".
"sharp" is indicated with an upper "bar".

Other Split Mode Functions
The Clavinova Function mode provides access to a number of other split-mode functions, listed below. See the corresponding pages for details.
Split Point	30
Split Balance	30
Right Voice Octave Shift	31
Left Voice Octave Shift	31
Right Voice Effect Depth	31
Left Voice Effect Depth	31
Damper Range	31
Reset	31

Reverb
The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power.
To select a reverb type press the [REVERB] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [REVERB] button is pressed). No reverb is produced when all indicators are off.

OFF
No reverb effect is selected when no REVERB indicator is lit.
ROOM
This setting add a continuous reverb effect to the sound that is similar to the type of acoustic reverberation you would hear in a room. 
HALL 1
For a "bigger" reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall.
HALL 2
For a really spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall.
STAGE
A simulation of the type of reverb produced in a stage environment.

NOTE
The default reverb type (including OFF) and depth settings are different for each voice.
Even if the REVERB effect is OFF, a "soundboard reverb" effect will be applied when the GRAND PIANO 1 voice is selected.

Adjusting Reverb Depth
Adjust the reverb depth for the selected voice by using the [minus/NO] and [plus/YES] buttons while holding the [REVERB] button. The depth range is from 0 through 20 (the current depth setting appears on the LED display while the [REVERB] button is held). A setting of "0" produces no effect, while a setting of "20" produces maximum reverb depth. Press the [minus/NO] and [plus/YES] buttons simultaneously while holding the [REVERB] button to recall the default setting for the current voice (default depth settings are different for each voice).

The Effect
The [EFFECT] button allows you to select one of the effects that can give your sound greater depth and animation.
To select an effect type press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [EFFECT] button is pressed). No effect is produced when all indicators are off.

OFF
No effect is selected when no EFFECT indicator is lit.
CHORUS
Shimmering, broadening effect
PHASER
Adds depth to the sound.
TREMOLO
Tremolo effect
DELAY
Echo effect

NOTE
The default effect type (including OFF) and depth settings are different for each voice.

Adjusting Effect Depth
Effect depth can be individually adjusted for the selected voice by using the [minus/NO] and [plus/YES] buttons while holding the [EFFECT] button. The depth range is from 0 through 20 (the current depth setting appears on the LED display while the [EFFECT] button is held). A setting of "0" produces no effect, while a setting of "20" produces maximum effect depth. Press the [minus/NO] and [plus/YES] buttons simultaneously while holding the [EFFECT] button to recall the default setting for the current voice (the default depth settings are different for each voice).

Brilliance
This control can be used to change the tonality or "timbre" of the sound output. The control range is from MELLOW to BRIGHT. 

For a brighter or "sharper" tone, slide the control towards the BRIGHT position. For a "rounder" more mellow tone, slide the control towards the MELLOW position.

NOTE
When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MASTER VOLUME is set at a high level the sound may become distorted. If so, lower the MASTER VOLUME level.

The Pedals
The Clavinova has three foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano.

Damper (Right) Pedal
The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed notes played have a long sustain. Releasing the pedal immediately stops (damps) any sustained notes. 
When the GRAND PIANO 1 voice is selected, pressing the damper pedal activates the instrument's special "Sustain Samples" to accurately recreate the unique resonance of an acoustic grand piano's soundboard and strings.

NOTE
The depth of the effect produced by the "Sustain Samples" can be adjusted via the "Pedal Functions" (page 32) in the function mode.
If the damper pedal doesn't work, or notes are sustained even when the pedal is not pressed, make sure that the pedal cord is properly plugged into the main unit (page 50).

Sostenuto (Center) Pedal
If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played "staccato."

NOTE
Organ, string and choir voices will continue to sound for as long as the sostenuto pedal is depressed.

Soft (Left) Pedal
The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes which are already playing when it is pressed.
The left pedal can also be assigned to song start/stop operation via the "Left Pedal Mode" described on page 32.

Touch Sensitivity
Four different types of keyboard touch sensitivity - HARD, MEDIUM, SOFT or FIXED - can be selected to match different playing styles and preferences. 
To select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed).

HARD
The HARD setting requires the keys to be played quite hard to produce maximum loudness.
MEDIUM
The MEDIUM setting produces a fairly "standard" keyboard response. This is the initial factory default setting.
SOFT
The SOFT setting  allows maximum loudness to be produced with relatively light key pressure.
FIXED (no indicator lit)
All notes are produced at the same volume no matter how hard the keyboard is played. 
When the FIXED type is selected, the volume of notes played in the FIXED mode can be set by using the [minus/NO] and [plus/YES] buttons while the [TOUCH] button is held (the current volume level appears on the display). The volume range is from 1 through 127. The default setting is 64.

NOTE
This setting does not change the weight of the keyboard.
The touch sensitivity type and volume set in the FIXED mode will become the common setting for all voices. However, the touch sensitivity settings may have little or no effect with certain voices which are not normally responsive to keyboard dynamics (Refer to the "Voice Descriptions" on page 41).

Transposition
The Clavinova's TRANSPOSE function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of 12 semitones (i.e. a maximum of one octave up or down). "Transposing" the pitch of the Clavinova keyboard facilitates playing in difficult key signatures, and you can easily match the pitch of the keyboard to the range of a singer or other instrumentalist.

Use the [minus/NO] or [plus/YES] button while holding the [TRANSPOSE] button to transpose down or up as required. The transposition range is from "minus12" (down one octave) through "0" (normal pitch) to "12" (up one octave). The amount of transposition appears on the LED display while the [TRANSPOSE] button is held. The default transpose setting is "0".

NOTE
The [TRANSPOSE] button indicator remains lit when a transpose setting other than "0" is selected.
Notes below and above the A-1 to C7 range of the Clavinova sound one octave higher and lower, respectively.


Tuning
Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz to 453.0 Hz (corresponding to the A3 note's Hz) range in approximately 0.2 Hertz intervals. Pitch control is useful for tuning the Clavinova to match other instruments or recorded music.

Tuning Up
1 To tune up (raise pitch), hold the A-1 and B-1 keys simultaneously.
2 Press any key between C3 and B3. Each time a key in this range is pressed the pitch is increased by approximately 0.2 Hz.
The [minus/NO] and [plus/YES] buttons can also be used to tune down or up, respectively, in approximately 1 Hz increments. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall standard tuning (A3 = 440 Hz).
3 Release the A-1 and B-1 keys.

Tuning Down
1 To tune down (lower pitch), hold the A-1 and A sharp-1 keys simultaneously.
2 Press any key between C3 and B3. Each time a key in this range is pressed the pitch is decreased by approximately 0.2 Hz.
The [minus/NO] and [plus/YES] buttons can also be used to tune down or up, respectively, in approximately 1 Hz increments. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall standard tuning (A3 = 440 Hz).
3 Release the A-1 and A sharp-1 keys.

To Restore Standard Pitch
1 To restore the default pitch (A3 = 440 Hz), hold the A-1, A sharp-1 and B-1 keys simultaneously.

2 Press any key between C3 and B3.
(Pressing once will restore the keyboard to standard pitch, regardless of the amount of pitch adjustment.)

3 Release the A-1, A sharp-1 and B-1 keys.
In terms of "Hertz", the overall tuning range is from 427.0 Hz to 453.0 Hz. The current tuning setting is shown on the LED display while the tuning is being adjusted. Tenths of a Hertz are indicated on the LED display by the appearance and position of one or two dots, as in the following example:
(Table)
Display	Value
440	440.0
4.40	440.2
44.0	440.4
440.	440.6
4.40.	440.8
(Table End)

NOTE
An alternative tuning method is available in the Function mode - page 28.

The Metronome & Tempo Control
The Clavinova built-in metronome is a convenient feature for practice, and it can also provide a solid rhythmic guide when recording using the User Song Recorder feature, described in the next section.

The Metronome
The metronome sound is alternately turned on and off by pressing the [METRONOME] button. When on, the beat indicator flashes at the current tempo.

Metronome Time Signature
The time signature (beat) of the metronome can be set by using the [minus/NO] and [plus/YES] buttons while holding the [METRONOME] button. You can set the beat to 0, 2, 3, 4, 5 or 6 (the current setting appears on the LED display while the [METRONOME] button is held). Press the [minus/NO] and [plus/YES] buttons simultaneously while holding the [METRONOME] button to recall the default setting "0" (no accent).

Metronome Volume Function
The volume of the metronome sound can be adjusted via the Metronome Volume function in the Function mode-page 32.

Tempo Control
The tempo of the metronome and user song recorder playback (the recorder is described in the next section) can be set from 32 to 280 beats per minute by using the [TEMPO down, up] buttons. The selected tempo will appear on the LED display while in the normal play mode and while the [TEMPO down, up] buttons are being used to adjust the tempo in the recording/playback mode. The default tempo (120 or the recorded song tempo when the recorder contains data and the playback track indicator is lit) can be recalled by simultaneously pressing the [down] and [up] buttons.

Using the User Song Recorder
The ability to record and play back what you've played on the Clavinova keyboard can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two tracks separately, you could record the left- and right-hand parts separately, or record both parts of a duet and hear how they sound when played back.

The user song recorder actually records the following data:
Entire Song
Tempo
Time signature (beat)
Reverb type (including OFF)
Effect type

Individual Tracks
Notes played
Voice selection
Dual mode voices
Split mode voices
Damper pedal
Soft pedal
Sostenuto pedal (not recorded as an initial setting)
Effect depth
Reverb depth
Dual balance (F3)
Dual detune (F3)
Dual octave shift (F3)
Split balance (F4)
Split octave shift (F4)

Recording
1 Make All Necessary Initial Settings
Before actually beginning to record, select the voice you want to record with (or voices if you will be using the dual or split mode). You might also want to set the volume and tempo controls.

2 Engage the Record Ready Mode
Press the [REC] button to engage the record ready mode (recording does not actually start yet). The record ready mode can be disengaged before recording by pressing the [REC] button a second time.
NOTE
The record ready mode cannot be engaged while the demo/preset song mode is engaged.

3 Select the Record Track
When the record mode is engaged in the previous step, the last-recorded track will automatically be selected for recording and its indicator - i.e. the TRACK [1] or [2] button indicator - will glow red. If you want to record on a different track, press the appropriate track button so that its indicator glows red.

NOTE
The track button indicators of tracks which contain previously recorded data will glow green (unless the track is turned off as described below). The previously-recorded data on the non-record track will normally be played back as you record, so you can play along with a previously-recorded track. If you don't want to hear the previously recorded track as you record (when you want to record a song different from what you recorded on the previous track etc.,), press the playback track button before pressing the [REC] button (step 1, above) so that its indicator goes out.
Recording on a track which already contains data will erase all previous data on that track.
When the record mode is engaged the amount of memory available for recording will be shown on the LED display in approximate kilobytes (starting at "50"), and the rightmost dot on the LED display will flash at the current METRONOME tempo setting.

4 Start Recording
Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording.
NOTE
The left pedal can be assigned to start and stop recording via the "Left Pedal Mode" function described on page 32.
If the metronome was on when you started recording, you'll be able to keep time with the metronome while recording, but the metronome sound will not be recorded.
You can record up to a maximum of about 10,000 notes on the Clavinova, depending on pedal usage and other factors. The record track indicator will begin to flash when recorder memory is almost full. If the memory becomes full during recording, "FUL" will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.)

5 Stop Recording 
Press either the [REC] or SONG [START/STOP] button to stop recording.
The indicator of the recorded track will glow green to indicate that it now contains data.

Changing the Initial Settings
The initial voice, tempo, reverb type, reverb depth, and effect settings made in step 1 of the recording procedure are actually recorded by the Clavinova. 
These initial settings can be changed after the recording is finished by pressing the [REC] button to engage the record ready mode, pressing the appropriate track button, making the required changes, and then pressing the [REC] button again to exit from the record ready mode and register the changes. 
If you do this, be careful not to press the SONG [START/STOP] button or a key on the keyboard, either of which will start recording and erase all previous recorded data on the selected track. 
It is possible to cancel the operation even after changes have been made: change tracks and then press the [REC] button to exit from the record mode (this also cancels data for the entire song).

NOTE
The following data for initial settings cannot be changed: "Dual balance (F3)", "Dual detune (F3)", "Dual octave shift (F3)", "Split balance (F4)" or "Split octave shift (F4)".

Erasing a Single Track
All data can be erased from either of the recorder's tracks by engaging the record mode, selecting the track you want to erase, and then pressing the SONG [START/STOP] button twice without recording any data.

Playback
To play back what you've recorded, first make sure that the green track indicators of the tracks you want to play are lit. If not, press the corresponding track button(s) so that they are lit. Then press the SONG [START/STOP] button. Playback starts from the beginning of the recorded data, and will stop automatically at the end of the recorded data. You can also stop playback at any time by pressing the SONG [START/STOP] button.
To mute a track so that it doesn't play back, press the corresponding track button so that its indicator goes out (press again to turn the track back on).
The current measure number appears on the display during playback.

NOTE
It is possible to play along on the keyboard during playback. In this case, the playback voice and the voice you play on the keyboard are not the same. The playback voice is the voice that was set when the data was recorded. The voice you play on the keyboard is the voice that is selected on the panel.
The playback volume and tempo can be adjusted by using the [MASTER VOLUME] control and [TEMPO down, up] buttons (press both [TEMPO down, up] buttons simultaneously to recall the default tempo).
All user song recorder data will be retained in memory for about one week after the power is turned off. If you want to keep your recorded data for longer periods, turn the power on for a few minutes at least once a week. It is also possible to store it to an external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using the Bulk Data Dump function described on page 35.The track indicators will not light automatically when the power is turned on even if the user song recorder contains data. It is therefore necessary to press the track buttons so that the corresponding green indicators light before starting recorder playback. It is also a good idea to press the track buttons to check if the tracks contain data before recording. If the green indicator lights when the corresponding track button is pressed, that track contains data which will be erased and replaced by the newly-recorded data.
If the metronome is being used during playback, the metronome will automatically stop when playback is stopped.
During recorder playback, the volume of a track which is turned off will always be "0" (i.e. the "Preset Song Part Cancel Volume" function - page 32 - only affects preset song playback.
The playback data is not transmitted via the MIDI OUT connector.
Playback cannot be started when the demo/preset song mode is engaged. 
Playback cannot be started when the recorder contains no data, or when both track buttons are off.
If the REVERB type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed.
If the EFFECT type is changed via the panel controls during playback, the playback effect may be switched off in some cases.

Synchro Start
When the Synchro Start function is engaged, recorder playback will begin automatically as soon as you start playing on the keyboard.
To engage the Synchro Start function press the SONG [START/STOP] button while holding a track button which is ON. The rightmost dot on the display will flash at the current tempo. (Repeat the previous operation to disengage the Syncro Start function.) Playback will then start as soon as you begin playing on the keyboard.
If you hold a track button which is OFF while pressing the SONG [START/STOP] button, that track will be turned ON and the Synchro Start mode will be engaged.

Left Pedal Start/Stop
The left pedal can be assigned to start and stop recorder playback via the "Left Pedal Mode" function described on page 32. This is convenient for starting playback of the recorded part anytime after you have started playing.

The Function Mode
The [FUNCTION] button provides access to a range of functions that give the Clavinova extraordinary versatility. The functions are categorized in groups as follows:
F1 Tuning 28
F2 Scale 28
F3 Dual Mode Functions 29
F4 Split Mode Functions 30
F5 Pedal Functions 32
F6 Metronome Volume 32
F7 Preset Song Part Cancel Volume 32
F8 MIDI Functions 33
F9 Backup Functions 36

To Select a Function
1 Press the [FUNCTION] button so that its indicator lights.
NOTE
Functions cannot be selected during demo/preset song playback or when the user song recorder is in operation.

2 Use the FUNCTION [Left] and [Right] buttons to select the desired function: F1 through F9.

3 In the case of the Scale (F2), Dual Mode (F3), Split Mode (F4), Pedal Functions (F5), MIDI (F8), and Backup (F9) functions, you will have to press the [plus/YES] button once to enter the respective sub-mode after the function has been selected, and then use the FUNCTION [Left] and [Right] buttons again to select the desired sub-function.
NOTE
The Dual or Split mode must be engaged before the F3 and F4 functions can be selected, respectively. If the corresponding mode is not engaged, "F3.-" or "F4.-" will appear on the display and the corresponding sub-mode will not be available.
The Dual mode can be engaged while in the Function mode, but the Function mode must be exited before the Split mode can be engaged.

4 Set the function as required by using the [minus/NO] and [plus/YES] buttons (see the individual function descriptions, below).
NOTE
After selecting the function, the current setting will be displayed when the [minus/NO] or [plus/YES] button is pressed for the first time.

5 Press the [FUNCTION] button so that its indicator goes out to exit from the function mode.

Operation Example
F 3.Y	
Press [plus/YES]
F 3.1 ... F 3.7 (sub-mode)
Use FUNCTION [Left], [Right]
F 3.2
Press [minus/NO] or [plus/YES] once
minus 10 ... 0 ... 10
Use [minus/NO], [plus/YES]
5

F1 Tuning
In addition to the tuning method described on page 22, overall tuning can also be accomplished via the F1 function.
After selecting "F1", use the [minus/NO] and [plus/YES] buttons to lower or raise the pitch in approximately 0.2 Hz increments (the first time the [minus/NO] or [plus/YES] button is pressed simply switches to the tuning value display without actually changing the tuning). The overall tuning range is from 427.0 Hz to 453.0 Hz (corresponding to the A3 note's Hz). Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default value "440 Hz".
Tenths of a Hertz are indicated on the LED display by the appearance and position of one or two dots, as in the following example:
(Table)
Display	Value
440	440.0
4.40	440.2
44.0	440.4
440.	440.6
4.40.	440.8
(Table End)

F2 Scale 
After selecting "F2.Y", press the [plus/YES] button to engage the scale function sub-mode, then use the FUNCTION [Left] and [Right] buttons to select the desired scale function, as listed below. 

F2.1: Scale
In addition to the standard Equal Temperament tuning, the Clavinova includes 6 classic tunings that you can select and use to play music of the corresponding period, or experiment with in a more modern context. The tunings are:
1: Equal Temperament
2: Pure Major
3: Pure Minor
4: Pythagorean
5: Mean Tone
6: Werckmeister
7: Kirnberger

Use the [minus/NO] and [plus/YES] buttons to select the number of the desired tuning. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default settings (Equal Temperament tuning).

F2.2: Base Note
Unlike Equal Temperament tuning, these classic tunings must be tuned to a specific key. Use the [minus/NO] and [plus/YES] buttons to select the key you want the previously selected tuning to be based. The selected key will appear on the display, followed by a low bar if flat (e.g. "A under bar") or a high bar if sharp (e.g. "F top bar").
Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default settings "C".

NOTE
The base note setting is effective for tunings other than the Equal Temperament tuning.

F3 Dual Mode Functions 
After selecting "F3.Y", press the [plus/YES] button to engage the dual-mode function sub-mode, then use the FUNCTION [Left] and [Right] buttons to select the desired dual mode function, as listed below. 
If the Dual mode is not engaged "F3.-" will appear instead of "F3.Y" and the Dual mode functions cannot be selected. If this happens engage the Dual mode and proceed.

SHORTCUT: You can jump directly to the dual-mode functions (F3) by pressing the [FUNCTION] button while holding the two dual-mode voice selectors.
NOTE
Dual mode function settings are set individually for each voice combination.

F3.1: Dual Balance
The volume levels of the two voices combined in the dual mode can be adjusted as required by using this function. Use the [minus/NO] and [plus/YES] buttons to adjust the balance as required. The balance range is from 0 through 20. A setting of "10" produces equal balance between the two dual-mode voices. Settings below "10" increase the volume of the 2nd Voice in relation to the 1st Voice, and settings above "10" increase the volume of the 1st Voice in relation to the 2nd Voice ("1st" and "2nd" is explained on page 16). Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting (different for each voice combination).
You can set one voice as the main voice, and another voice as a softer, mixed voice.

F3.2: Dual Detune
This function makes it possible to detune the 1st and 2nd dual-mode Voices to create a thicker sound. Use the [minus/NO] and [plus/YES] buttons to set the amount of detuning as required. The detune range is from minus10 through 10. A setting of "0" sets both voices to the same pitch. "plus" values raise the pitch of the 1st voice while lowering the pitch of the 2nd voice, and "-" values raise the pitch of the 2nd voice while lowering the pitch of the 1st voice. ("1st" and "2nd" is explained on page 16). Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting (different for each voice combination).

NOTE
The maximum amount of pitch variation increases toward the lower key range (plus minus60 cents at the A-1 key), and decreases toward the higher key range (plus minus5 cents at the C7 key). 100 cents = 1 semitone.

F3.3: 1st Voice Octave Shift
F3.4: 2nd Voice Octave Shift
Depending on which voices you combine using the dual mode, the combination may sound better if one of the voices is shifted up or down an octave. Use the [minus/NO] and [plus/YES] buttons to set the octave of the 1st or 2nd Voice as required ("1st" and "2nd" is explained on page 16). The available settings are "0" for normal pitch, "minus1" to shift the pitch down one octave, and "1" to shift the pitch up one octave. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting (different for each voice combination).

F3.5: 1st Voice Effect Depth
F3.6: 2nd Voice Effect Depth
These functions make it possible to individually set the depth of the effect for the 1st and 2nd dual-mode Voices ("1st" and "2nd" is explained on page 16). Use the [minus/NO] and [plus/YES] buttons to set the effect depth for the corresponding voice as required. The depth range is from 0 through 20. A setting of "0" produces no effect, while a setting of "20" produces maximum effect depth. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting (different for each voice combination).

NOTE
The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be exited before EFFECT can be turned ON.

F3.7: Reset
This function resets all dual-mode functions to their default values. Press the [plus/YES] button to reset the values. "End" will appear on the display when all functions have been reset.

F4 Split Mode Functions 
After selecting "F4.Y", press the [plus/YES] button to engage the split-mode function sub-mode, then use the FUNCTION [Left] and [Right] buttons to select the desired split mode function, as listed below. 
If the Split mode is not engaged "F4.-" will appear instead of "F4.Y" and the Split mode functions cannot be selected. Also note that you must exit from the Function mode before the Split mode can be engaged.

SHORTCUT: You can jump directly to the split-mode functions (F4) by pressing the [FUNCTION] button while holding the [SPLIT] button.
NOTE
Split mode function settings are set individually for each voice combination.

F4.1: Split Point
In addition to the split point setting method described on page 17, the split point can be set via this function. Use the [minus/NO] and [plus/YES] buttons to set the split point as required, or simply press the appropriate key on the keyboard: from "A-1" to "C7". Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "F sharp 2".

F4.2: Split Balance
The volume levels of the two voices combined in the split mode can be adjusted as required by using this function. Use the [minus/NO] and [plus/YES] buttons to adjust the balance as required. The balance range is from 0 through 20. A setting of "10" produces equal balance between the two split-mode voices. Settings below "10" increase the volume of the Left Voice in relation to the Right Voice, and settings above "10" increase the volume of the Right Voice in relation to the Left Voice. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting (different for each voice combination).

F4.3: Right Voice Octave Shift
F4.4: Left Voice Octave Shift
Depending on which voices you combine using the split mode, the combination may sound better if one of the voices is shifted up or down an octave. Use the [minus/NO] and [plus/YES] buttons to set the octave of the Left or Right Voice as required. The available settings are "0" for normal pitch, "minus1" to shift the pitch down one octave, and "1" to shift the pitch up one octave. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting (different for each voice combination).
Set according to the pitch extent for the song you want to play.

F4.5: Right Voice Effect Depth
F4.6: Left Voice Effect Depth
These functions make it possible to individually set the depth of the effect for the Left and Right split-mode Voices. Use the [minus/NO] and [plus/YES] buttons to set the effect depth for the corresponding voice as required. The depth range is from 0 through 20. A setting of "0" produces no effect, while a setting of "20" produces maximum effect depth. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting (different for each voice combination).
NOTE
The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be exited before EFFECT can be turned ON.

F4.7: Damper Range
The Damper Range function determines whether the damper pedal affects the Right Voice, the Left Voice, or both the Left and Right Voices in the split mode. Use the [minus/NO] and [plus/YES] buttons to select "2" for the Left Voice, "1" for the Right Voice, or "ALL" for both voices. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "ALL".

F4.8: Reset
This function resets all split-mode functions to their default values. Press the [plus/YES] button to reset the values. "End" will appear on the display when all functions have been reset.

F5 Pedal Functions 
After selecting "F5.Y", press the [plus/YES] button to engage the pedal functions sub-mode, then use the FUNCTION [Left] and [Right] buttons to select the desired pedal functions, as listed below. 

F5.1: Left Pedal Mode
This function conveniently lets you set the left pedal for normal soft pedal operation, or for song start/stop operation. Use the [minus/NO] and [plus/YES] buttons to select the desired left-pedal mode. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "1".
1: Soft	The left pedal functions as the soft pedal.
2: Start/Stop	The left pedal functions in the same manner as the SONG [START/STOP] button.

F5.2: Sustain Sample Depth
The GRAND PIANO 1 voice features special "Sustain Samples" which recreate the unique resonance of an acoustic grand piano's soundboard and strings when the damper pedal is pressed. This function lets you adjust the depth of this effect. Use the [minus/NO] and [plus/YES] buttons to set the effect depth as required. The effect depth range is from 0 through 20. A setting of "0" produces no effect, while a setting of "20" produces maximum effect depth. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "12".

F6 Metronome Volume 
SHORTCUT: You can jump directly to the metronome functions by pressing the [FUNCTION] button while holding the METRONOME [START/STOP] button.
The volume of the metronome sound can be changed. After selecting "F6", use the [minus/NO] and [plus/YES] buttons to set the metronome volume as required. The volume range is from 1 through 20. A setting of "1" produces minimum sound, while a setting of "20" produces maximum metronome volume. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "10".

F7 Preset Song Part Cancel Volume 
This function sets the volume at which a "canceled" part is played during preset song playback (see page 15 for information on the "part-cancel" function). Use the [minus/NO] and [plus/YES] buttons to set the volume as required. The volume range is from 0 through 20. A setting of "0" produces no sound, while a setting of "20" produces maximum volume. Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "5".
Adjust the part volume to a comfortable level to use the "canceled" part as a guide to play along with. Set to "0" if you don't want to hear the part.

F8 MIDI Functions 
A Brief Introduction to MIDI
MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create "systems" of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments. For example, most MIDI keyboards (including the Clavinova, of course) transmit note and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, providing thick multi-instrument sounds.
(Figure)
Clavinova - MIDI OUT MIDI Cable MIDI IN - DOU-10

This same type of musical information transfer is used for MIDI sequence recording. A sequence recorder can be used to "record" MIDI data received from a Clavinova, for example. When the recorded data is played back, the Clavinova automatically "plays" the recorded performance in precise detail.
The examples given above really only scratch the surface. MIDI can do much, much more. The Clavinova MIDI functions allow it to be used in fairly sophisticated MIDI systems.
(Figure)
Clavinova - MIDI OUT	Data Being Recorded	MIDI IN - DOU-10
Clavinova - MIDI IN	Playback Data	MIDI OUT - DOU-10

After selecting "F8.Y", press the [plus/YES] button to engage the MIDI function sub-mode, then use the FUNCTION [Left] and [Right] buttons to select the desired MIDI function, as listed below. 

NOTE
The bottom-panel HOST SELECT switch must be set to "MIDI" in order to use the MIDI connectors. When you use the TO HOST connector, set the HOST SELECT switch to the appropriate position for the type of computer you are using (see page 37). In this situation, all MIDI settings described below will have affect on the MIDI signal in and out of the TO HOST connector.
Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables longer than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

F8.1: MIDI Transmit Channel Selection
F8.2: MIDI Receive Channel Selection
The MIDI system allows transmission and reception of MIDI data on 16 different channels. Multiple channels have been implemented to allow selective control of certain instruments or devices connected in series. For example, a single MIDI sequence recorder could be used to "play" two different instruments or tone generators. One of the instruments or tone generators could be set to receive only on channel 1, while the other is set to receive on channel 2. In this situation the first instrument or tone generator will respond only to channel-1 information transmitted by the sequence recorder, while the second instrument or tone generator will respond only to channel-2 information. This allows the sequence recorder to "play" two completely different parts on the receiving instruments or tone generators.
(Figure)
DOU-10 - MIDI OUT/IN	Tone Generator(Set to receive on MIDI channel 2)	MIDI THRU/IN - Clavinova (Set to receive on MIDI channel 1)

In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. A "Multi-timbre" receive mode is also available, which allows simultaneous reception of different parts on all 16 MIDI channels, allowing the Clavinova to play multi-channel song data received from a music computer or sequencer. There's also a "1-2" mode which allows simultaneous reception on channels 1 and 2.
Use the [minus/NO] and [plus/YES] buttons to select the desired transmit or receive channel. The transmit channel parameter can also be turned "OFF" if you don't want the Clavinova to transmit any MIDI data. To select the multi-timbre receive mode, set the receive channel to "ALL". Select "1-2" for multi-timbre reception on channels 1 and 2 only.
Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting: transmit = "1"; receive = "ALL".

NOTE
In the dual mode first voice data is transmitted on its set channel, and in the split mode right voice data is transmitted on its set channel. In the dual mode second voice data is transmitted on the next greater channel number of the set channel, and in the split mode left voice data is transmitted on the next greater channel number of the set channel. In either mode, no data is transmitted if the transmit channel is set to "OFF".
Demo/preset song data and recorder playback data are not transmitted via MIDI.
No MIDI reception occurs when the demo/preset song mode is engaged.
Program change and other like channel messages received will not affect the Clavinova's panel settings or what is being played on the keyboard.

F8.3: Local Control ON/OFF
"Local Control" refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is "Local Control On" since the internal tone generator is controlled locally by its own keyboard.
Local control can be turned OFF, however, so that the Clavinova keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector.
When using the DOU-10 Disk Orchestra Unit with the Clavinova, for example, Local Control should be turned OFF when recording using the DOU-10 voices only, and ON when recording the Clavinova voices while listening to playback of the DOU-10 voices.
Use the [minus/NO] and [plus/YES] buttons to turn local control "On" or "OFF". 
Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "On".
(Figure)
Clavinova - MIDI OUT/IN - DOS-10
Clavinova - AUX IN L/R OUT PUT R/L - DOS-10

F8.4: Program Change ON/OFF
Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The Clavinova will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers.
This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the Clavinova without affecting the external MIDI device.
Use the [minus/NO] and [plus/YES] buttons to turn program change transmission and reception "On" or "OFF". 
Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "On".

NOTE
For information on program change numbers for each of the Clavinova's voices, refer to page 44 in the MIDI Data Format section.

F8.5: Control Change ON/OFF
Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other "control" settings received from the controlling device (the keyboard voice is not affected). The Clavinova also transmits MIDI control change information when one of its pedals or other appropriate controls are operated.
This function makes it possible to cancel control change data reception and transmission so that, for example, the Clavinova pedals and other controls can be operated without affecting an external MIDI device.
Use the [minus/NO] and [plus/YES] buttons to turn control change transmission and reception "On" or "OFF". 
Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "On".

NOTE
For information on control changes that can be used with the Clavinova, refer to the MIDI Data Format on page 43.

F8.6: MIDI Transmit Transpose
This function allows the MIDI note data transmitted by the Clavinova to be transposed up or down in semitone increments by up to plus or minus 12 semitones. The pitch of the Clavinova itself is not affected.
Use the [minus/NO] and [plus/YES] buttons to set the desired amount of MIDI transmit transposition. The range is from "minus12" (down one octave) through "0" (no transposition) to "12" (up one octave). 
Press the [minus/NO] and [plus/YES] buttons simultaneously to recall the default setting "0".

F8.7: Panel/Status Transmit
This function causes all the current Clavinova panel settings (selected voice, etc.) to be transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence recorder such as the Yamaha MIDI Data Filer MDF3 which will be used to control the Clavinova on playback. By transmitting the Clavinova panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the Clavinova will be automatically restored to the same settings when the performance is played back. 
Press the [plus/YES] button to transmit the panel/status data. "End" will appear on the LED display when the data has been successfully transmitted.

NOTE
See page 44 for list of the "Panel Data Contents" transmitted by this function.
Panel setting data that is transmitted to an external device can only be reloaded on a model of the same type. Panel setting data can also be directly transferred to or from instruments of the same model type.

F8.8: Bulk Data Dump
This function is used to transmit all data stored in the Recorder memory to a MIDI data storage device such as the Yamaha MIDI Data Filer MDF3, other sequence recorders, or MIDI compatible computers.
Press the [plus/YES] button to begin bulk transmission. "End" will appear on the LED display when the data has been successfully transmitted.

NOTE
User song recorder data that is transmitted to an external device can only be reloaded on a model of the same type. Recorder data can also be directly transferred to or from instruments of the same model type.
The reload operation cannot be executed when the demo/preset song mode or user song recorder is in operation, or when the Function mode is engaged.
No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation. 

F9 Backup Functions 
After selecting "F9.Y", press the [plus/YES] button to engage the backup function sub-mode, then use the FUNCTION [Left] and [Right] buttons to select the desired backup function, as listed below. 
NOTE
The backup settings themselves, and the contents of the user song recorder memory, are always backed up.
Even if the Backup is turned on, factory presets can be recalled at any time (see page 40). The factory setting list is found on page 42.

Even if backup is turned on via one of the functions described below, the data will only be retained in memory for about 1 week if the power is not turned on during this time. If the backup period is exceeded, all settings will be reset to their default values. If you want to retain the backup settings for longer periods, be sure to turn the power switch on for a few minutes at least once a week.

F9.1: Voice
Turns backup of the voice functions listed below on or off. Use the [minus/NO] and [plus/YES] buttons to turn backup "On" or "OFF". 
The default backup mode is "OFF".
Voice (Keyboard, Dual, and Split)
Dual (ON/OFF, Voice, and Dual Functions for each voice combination)
Split (ON/OFF, Voice, and Split Functions for each voice combination)
Reverb (ON/OFF, Type, and Depth for each voice)
Effect (ON/OFF, Type, and Depth for each voice)
Touch Sensitivity (including the FIXED volume)
Metronome (Beat, Volume)
Preset Song Part Cancel Volume

F9.2: MIDI
Turns backup of the MIDI functions listed below on or off. Use the [minus/NO] and [plus/YES] buttons to turn backup "On" or "OFF".
The default backup mode is "OFF".

Channel (Transmit, Receive)
Program Change ON/OFF
MIDI Transmit Transpose
Local ON/OFF
Control Change ON/OFF

F9.3: Tuning
Turns backup of the tuning functions listed below on or off. Use the [minus/NO] and [plus/YES] buttons to turn backup "On" or "OFF".
The default backup mode is "OFF".
Transpose
Tuning
Scale (including base note)

F9.4: Pedal
Turns backup of the pedal functions listed below on or off. Use the [minus/NO] and [plus/YES] buttons to turn backup "On" or "OFF". 
The default backup mode is "OFF".
Left Pedal Mode
Sustain Sample Depth


Connecting to a Personal Computer
Although the Clavinova can be connected to a personal computer via the MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector and HOST SELECT switch allow direct connection to Apple Macintosh or IBM-PC/AT personal computers for sequencing and other music applications without the need for a separate MIDI interface.
"The Clavinova-Computer Connection," a document describing what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system is available online as a PDF document (in English) at the following internet address:
Clavinova Home Page:
http://www.yamahaclavinova.com/
Manual Library (Electronic Musical Instruments and XG Related Products)
http://www.yamaha.co.jp/manual/english/

NOTE
When connecting the Clavinova to a personal computer, first turn the power to both the Clavinova and the computer OFF before connecting the cable and setting the HOST SELECT switch. After connecting the cable and making the appropriate HOST SELECT switch setting, turn the power to the computer on first, then turn on the Clavinova.
When not using the [TO HOST] terminal of the Clavinova, make sure the cable is disconnected from the [TO HOST] terminal.  If the cable is left connected, the Clavinova may not function properly. 
"HST" will appear in the display if the host computer is not turned on, the connecting cable is not properly connected, the HOST SELECT switch is not in the proper position, or the MIDI driver or MIDI application is not active. In this case, turn the power off on both the Clavinova and the computer, and check the cable connection and the position of the HOST SELECT switch. Once the connection and HOST SELECT switch position is verified, turn the power of the computer on first, then the Clavinova, to check if the MIDI driver and MIDI application function properly.
When the HOST SELECT switch is set to "Mac", "PC-1", or "PC-2, no data transfer occurs via the MIDI connectors. To use the MIDI connectors for connection via a standard MIDI interface, set the HOST SELECT switch to "MIDI".

Connecting to an Apple Macintosh Series Computer
Connect the TO HOST connector of the Clavinova to the modem or printer port on your Macintosh, depending on which port your MIDI software is using for MIDI data communication, using a standard Macintosh 8-pin system peripheral cable. Set the HOST SELECT switch to the "Mac" position.
You may also have to make other MIDI interface settings on the computer side, depending on the type of software you use (refer to your software owner's manual). In any case the clock speed should be set to 1 MHz.

(Figure)
Apple Macintosh Series Computer - TO HOST
Set to the "Mac" position. - HOST SELECT

"Mac" Cable Connections
(Figure)
MIDI DIN 8-PIN	MINI DIN 8-PIN
1	2 (HSK i)
2	1 (HSK 0)
3	5 (RxD-)
4	5 GND
5	3 (TxD-)
6	8 (RxD+)
7	7 (GP i)
8	6 (TxD+)

8-pin system peripheral cable.
Data transfer rate: 31,250 bps.

Connecting to an IBM-PC/AT Series Computer 
(Figure)
BM-PC/AT Series Computer	TO HOST
Set to the "PC-2" position.	HOST SLECT

Connect the TO HOST connector of the Clavinova to the RS-232C port on your IBM computer, using a standard 8-pin MINI DIN  9-pin D-SUB cross cable. Set the HOST SELECT switch to the "PC-2" position.
Refer to your software owner's manual for information on any settings you might have to make on the computer side.

"PC-2" Cable Connections
(Figure)
MINI DIN 8-PIN	D-SUB 9-PIN
1	8 (CTS)
2	7 (RST)
3	2 (RxD)
4	5 (GND)
8
5	3 (TxD)

8-pin mini DIN  9-pin D-SUB cable.
Data transfer rate: 38,400 bps.

NOTE
If your system doesn't work properly with the connections and settings listed above, your software may require different settings. Check your software operation manual and if it requires a 31,250 bps. data transfer rate, set the HOST SELECT switch to "PC-1".
When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must be installed in the personal computer.

Connector Pin Numbers
(Figure)
MINI DIN 8-PIN
 6 7 8
3 4  5
 1 2

(Figure)
D-SUB 9-PIN
5 4 3 2 1
 9 8 7 6

Using a USB Interface (such as the Yamaha UX256)
Connect the USB interface (Yamaha UX256 or equivalent) to your computer using a USB cable. Install the driver software supplied with the interface (or other appropriate driver software) on your computer according to the supplied instructions. Connect your instrument to the USB interface using either a standard Macintosh 8-pin system peripheral cable or MIDI cables. Refer to the manual supplied with your USB interface for details.

Connecting the USB Interface and Instrument via a Serial Cable
(Figure)
Computer - USB cable - UX256 or equivalent - Mini-DIN 8-pin - Clavinova
HOST SELECT	HOST SELECT(PC-1) or (Mac) (Standard Macintosh 8-pin system peripheral cable)

Connecting the USB Interface and Instrument via MIDI Cables
Computer - USB cable - UX256 or equivalent - MIDI cables - Clavinova

Factory Preset Recall
All dual mode, split mode, reverb, effect, touch sensitivity, tuning settings, and the settings affected by the Backup Functions can be restored to their original factory preset values by holding the C7 key (rightmost key on the keyboard) while turning the [POWER] switch ON. This also erases all recorder data, and sets all Backup on/off settings (F9) to "OFF".
NOTE
he factory setting list is found on page 42.

Troubleshooting
If you encounter what appears to be a malfunction, please check the following points before assuming that your Clavinova is faulty.
1. No Sound When the Power is Turned ON
Is the AC plug properly connected to the Clavinova and an AC wall outlet? Check the AC connection carefully. Is the MASTER VOLUME control turned up to a reasonable listening level? 
Also make sure that a pair of headphones is not plugged into the PHONES jack, and that the Local Control (page 34) is ON.

2. The Damper Pedal Doesn't Work
If the damper pedal doesn't work, or notes are sustained even when the pedal is not pressed, make sure that the pedal cord is properly plugged into the main unit (page 50).

3. The Clavinova Reproduces Radio or TV Sound
This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise
This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the same AC mains line as your Clavinova.

5. Interference Appears On Radio or TV Sets Located Near the Clavinova
The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the Clavinova further away from the affected equipment, or vice versa.

6. Noise is heard from the Clavinova's speakers.
The noise may be due to interference caused by the use of a mobile phone in close proximity to the Clavinova.
Turn off the mobile phone, or use it further away from the Clavinova.

7. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System
If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the volume of the external equipment to a level at which the distortion ceases. 

If "Scn" appears on the display an internal malfunction has occurred. In this case, contact your Yamaha dealer.


Options and Expander Modules
Options
HPE-160 Stereo Headphones
High-performance lightweight dynamic headphones with extra-soft ear pads.

Expander Modules
DOU-10	Disk Orchestra Unit
A range of MIDI recording and playback functions, plus Yamaha DOC software, Disklavier PianoSoft(TM), and General MIDI/Standard MIDI File disk playback capability.

Voice Descriptions
(Table)
Voice	Stereo/Mono	Touch Response	Dynamic Sampling*	Voice Descriptions
GRANDPIANO 1	Stereo	Yes	Yes	Newly-recorded samples from a full concert grand piano. Also includes dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano.
GRANDPIANO 2	Stereo	Yes	No	A bright, expansive piano sound which is ideal for rock and popular genres.
E.PIANO 1	Stereo	Yes	Yes	An electronic piano sound created by FM synthesis. Extremely "musical" response with varying timbre according to keyboard dynamics.
E.PIANO 2	Mono	Yes	Yes	The sound of an electric piano using hammer-struck metallic "tines." Soft tone when played lightly, and an aggressive tone when played hard.
HARPSICHORD	Stereo	No	No	The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released.
VIBRAPHONE	Stereo	Yes	Yes	Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play.
CHURCH ORGAN	Stereo	No	No	A soft pipe-organ type voice that is ideal for hymn accompaniment and other styles.
JAZZ ORGAN	Mono	No	No	The sound of a "tonewheel" type electric organ. Often heard in jazz and rock idioms.
STRINGS	Stereo	Yes	No	A large string ensemble. Try combining this voice with piano in the DUAL mode.
CHOIR	Stereo	Yes	No	A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces.
WOOD BASS	Mono	Yes	No	An upright bass played fingerstyle. Ideal for jazz and Latin music.
E.BASS	Mono	Yes	No	Electric bass for a wide range of music styles, jazz, rock, popular, and more.
(Table End)

* Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic piano.

Demo Song List
Voice Demo Tune Titles
(Table)
Voice Name	Title	Composer
GRAND PIANO 1	Nocturne op.9-2	F.F.Chopin
GRAND PIANO 2	Piano Sonate op.13 "Pathetique" 2nd mov.	L.v.Beethoven
E.PIANO1	Clair de lune	C.A.Debussy
E.PIANO2	Scherzo-valsa (Pieces Pittoresques)	E.Chabrier
HARPSICHORD	Le Coucou	L-C.Daquin
VIBRAPHONE	Study in A minor	Georges Pheiffer
CHURCH ORGAN	Organ Concerto Op.4 No.2	G.F.Handel
JAZZ ORGAN	Trolltog (Lyriske Smastykker No.5)	E.H.Grieg
STRINGS	Brandenburgisches Konzert No.3	J.S.Bach
CHOIR	Kantate Nr.140	J.S.Bach
WOOD BASS	L'Elephant	Saint-Saens
E.BASS	In The Kings Hall	E.H.Grieg
(Table End)

Some of the demonstration pieces listed above are short rearranged excerpts from the original compositions.


Factory Setting List
(Table)
	Backup Group
Voice	GRAND PIANO 1		F9.1
Dual Mode	OFF	F9.1
Split Mode	OFF	F9.1
Split Mode Left Voice	WOOD BASS	F9.1
Reverb Type	Preset for each voice	F9.1
Reverb Depth	Preset for each voice	F9.1
Effect Type	Preset for each voice	F9.1
Effect Depth	Preset for each voice	F9.1
Touch Sensitivity	MEDIUM	F9.1
Volume in the FIXED Mode	64	F9.1
Metronome	OFF	-
Metronome Time Signature	0 (no accent)	F9.1
Tempo	120	-
Transpose	0	F9.3
(Table End)
"-": Not memorized

Function
(Table)
Function		Default	Backup Group
F1 	Tuning	A3=440Hz	F9.3
F2.1	Scale	1 (Equal Temperament)	F9.3
F2.2	Base Note	C	F9.3
F3.1 	Dual Balance	Preset for each voice combination	F9.1
F3.2 	Dual Detune	Preset for each voice combination	F9.1
F3.3, F3.4 	Dual Octave Shift	Preset for each voice combination	F9.1
F3.5, F.3.6 	Dual Effect Depth	Preset for each voice combination	F9.1
F4.1	Split Point	F sharp 2	F9.1
F4.2	Split Balance	Preset for each voice combination	F9.1
F4.3, F4.4	Split Octave Shift	Preset for each voice combination	F9.1
F4.5, F4.6	Split Effect Depth	Preset for each voice combination	F9.1
F4.7	Damper Range	ALL	F9.1
F5.1	Left Pedal Mode	1 (soft pedal)	F9.4
F5.2	Sustain Sample Depth	12	F9.4
F6	Metronome Volume	10	F9.1
F7	Preset Song Part Cancel Volume	5	F9.1
F8.1	MIDI Transmit Channel	1	F9.2
F8.2	MIDI Receive Channel	ALL	F9.2
F8.3	Local Control	ON	F9.2
F8.4	Program Change Send & Receive	ON	F9.2
F8.5	Control Change Send & Receive	ON	F9.2
F8.6	MIDI Transmit Transpose	0	F9.2
F9	Backup	All OFF	Always backed up
(Table End)


Keyboard Stand Assembly

Assembly Parts

A: Legs 
B: Pedal box
10 x 60mm bolts	(1) x 3
Spring Washers	(2) x 3
Washers	(3) x 3
5 x 20mm screws	(4) x 4
Wrench
After assembly is complete, keep the wrench for future maintenance.
Cord holders
AC power cord


CAUTION
Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below.
Assembly should be carried out by at least two persons.
Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage.
Be sure to tighten up all screws upon completing assembly of each unit.
The entire package must be turned over during assembly, so select an area that is large enough for the unpacking and assembly operation.

Have a Phillips-head (plus) screwdriver ready.
Open the carton and remove the parts from the upper level.
The parts shown in the "Assembly Parts" illustration will be used. Follow the assembly instructions and select the parts as needed.

NOTE
A bench may be supplied or optional, depending on the location in which the instrument was purchased.

1 Attach the three legs (A).
Use scissors or a cutter to remove the packing material in which the main unit is wrapped. Then attach the legs to the bottom of the main unit using one 10 x 60mm bolt (1) per leg. The legs (A) are identical so they can be used at any position on the unit however, please pay close attention to the illustration and ensure that the legs are properly fitted to the rectangular pipe's rounded edge.
(Figure)
A: Legs
Rectangular Pipe
Washer (3)
Spring Washer (2)
10 x 60mm bolt (1)
Make sure that when the legs are attached that the legs are fitted to the rectangular pipe's rounded edge.
When attaching the legs, make sure to tighten each bolt using the supplied wrench until there remains no gap between the washer, spring washer and the bolt. As you tighten the bolt, occasionally shake the leg to remove any looseness between the pipes and the leg.

2 Attach the pedal box (B).
Before attaching the pedal box, remove the vinyl tie holding the pedal cord to the base plate then connect the pedal cord. Pull the pedal plug out from the hole in the base plate and plug it into the PEDAL jack in the bottom of the main unit with the flat side of the plug facing the keyboard side of the main unit (refer to the illustration). If the plug won't go in properly, do not force it ... check the plug orientation and try again.
Making sure that the pedal cord doesn't get caught between the base plate and main unit, carefully lower the pedal box assembly onto the bottom of the main unit and line up the screw holes. Finally, attach the pedal box with four 5 x 20 mm screws (4).
(Figure)
Remove the vinyl tie.
Keyboard Side
Rear Side
5 x 20mm screws (4)

3 Turn over the instrument and packing.
Make sure that the three legs are firmly attached, then using the front legs for support, turn over the instrument and packing so that the carton is on top of the instrument. 
(Figure)
Front leg

4 Remove the carton and packing material.
Lift and remove the carton, then remove the remaining packing material from the main unit.
At this time, make sure the Clavinova makes no rattling noise when you shake it. If it does, go back and retighten all bolts and screws.

5 Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a "minus" screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped.

CAUTION
An improper voltage setting can cause serious damage to the Clavinova or result in improper operation.

(Figure)
A voltage selector is provided in some areas.

6 Attach the cord holders and plug in the AC cord.
Remove the protective backing from the adhesive surface of the cord holders, and attach at approximately the locations shown in the illustration. Plug the main-unit end of the AC cord into the corresponding socket on the bottom of the main unit, then secure the cord with the cord holders.
Move the instrument to the location where it will be used and connect the AC power cord to an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.
(Figure)
Cord holders

7 Set the adjuster.
For stability, an adjuster is provided on the bottom of the pedal box (B). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result.

After completing the assembly, please check the following.
Are there any parts left over?
-> Review the assembly procedure and correct any errors.
Is the Clavinova clear of doors and other movable fixtures?
-> Move the Clavinova to an appropriate location.
Does the Clavinova make a rattling noise when you shake it?
-> Tighten all screws.
Does the pedal box rattle or give way when you step on the pedals?
-> Turn the adjuster so that it is set firmly against the floor.
Are the pedal and power cords inserted securely into the sockets?
-> Check the connection.
If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.
After assembly is complete, it will be necessary to remove the keyboard string. This procedure is performed once only and the string will never have to be reattached again. For instructions on its removal, refer to the paper titled "REQUEST" that can be found on the keys underneath the key cover (see page 10).

CAUTION
When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the lid, the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury.


Specifications

(Table)
	CLP-955
KEYBOARD	88 KEYS (A-1 to C7)
POLYPHONY	64 NOTES MAX.
VOICE SELECTORS	12 voices
REVERB	ROOM, HALL 1, HALL 2, STAGE
EFFECT	CHORUS, PHASER, TREMOLO, DELAY
TOUCH SENSITIVITY	HARD, MEDIUM, SOFT, FIXED
SONG CONTROLS	TRACK 1, TRACK 2, SONG [START/STOP], REC
PEDAL CONTROLS	SOFT, SOSTENUTO, DAMPER
OTHER CONTROLS	MASTER VOLUME, BRILLIANCE, DEMO, TRANSPOSE, FUNCTION,
JACKS/CONNECTORS	METRONOME, TEMPO down/up, FUNCTION left/right, SONG SELECT down/up/[minus/NO] [plus/YES], PRESET SONG, SPLIT, LED Display
INPUT & OUTPUT	PHONES x 2, AUX OUT R & L/L+R, AUX IN R & L/L+R, MIDI IN/OUT/THRU, HOST SELECT, TO HOST, PEDAL *
LEVEL/IMPEDANCE	AUX OUT: Output impedance 600 ohm, AUX IN: Input impedance 10 ohm/Input sensitivity 0.26V
MAIN AMPLIFIERS	60W x 2
SPEAKERS	16 cm x 2,5 cm x 2
(W x D x H) Lid down	1417 x 868 x 885 mm (55-13/16" x 34-13/16" x 34-13/16")
Lid up	1417 x 868 x 1225 mm (55-13/16" x 34-13/16" x 48-3/16")
WEIGHT	78.0 kg (171.95 lbs.)
(Table End)

* The PEDAL connector is not accessible from the outside of the instrument's cabinet (it is internally connected to the pedal unit during the assembly procedure).
Specifications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

This is the end of the file.
